YES - Time And A Word (1970/2013) [Hi-Res]
Artist: YES
Title: Time And A Word
Year Of Release: 2013
Label: Warner Music Group
Genre: Rock
Quality: 24bit-192kHz FLAC (tracks)
Total Time: 39:56
Total Size: 1.64 GB
WebSite: Album Preview
Tracklist:Title: Time And A Word
Year Of Release: 2013
Label: Warner Music Group
Genre: Rock
Quality: 24bit-192kHz FLAC (tracks)
Total Time: 39:56
Total Size: 1.64 GB
WebSite: Album Preview
1. No Opportunity Necessary, No Experience Needed 04:51
2. Then 05:49
3. Everydays 06:11
4. Sweet Dreams 03:52
5. The Prophet 06:38
6. Clear Days 02:09
7. Astral Traveller 05:56
8. Time And A Word 04:32
Archetypal Prog-rockers Yes formed in London in the late 1960s and gained vast popularity in the 1970s. Throughout the 1970s, Yes produced a stream of Gold and Platinum-selling albums, with Fragile and Close To The Edge considered fan favorites. Credit for their long-standing relevance lies with the distinctive vocals and lyrics of frontman Jon Anderson and the musicianship of the band's many members who have come and gone over the life of the group. Yes' second album Time And A Word solidified and broadened their sound, using an orchestra to good effect. This is the pinnacle of Prog!
„Yes' second (and least successful) album was a transitional effort; the group trying for a more produced and sophisticated sound through the use of an orchestra. Even so, the results weren't conventional, because the group didn't tone down or turn down its sound. Much of Time and a Word relies on bold, highly animated performances by Bill Bruford, Chris Squire, and Tony Kaye. Additionally, by this time the group was developing a much tauter ensemble than was evident on their first LP, so there's no lack of visceral excitement. "No Opportunity Necessary, No Experience Needed" was a bold opening, a highly amplified, frenzied adaptation of the Richie Havens song, melded with Jerome Moross's title music from the movie The Big Country. Somewhat more successful musically is "Then," which keeps the orchestral accompaniment to a minimum and allows Kaye and Banks to stretch out on organ and guitar. "Everydays" is highlighted by Anderson's ethereal vocals and Kaye's dueting with the orchestra. A surprising amount of the material here seems rather tuneless, but the group was solidifying its sound and, in the process, forcing Banks out of the lineup, despite some beautiful moments for him (and Tony Kaye) on the prettiest parts of "The Prophet," a piece that also contains fragments of music that anticipate Yes' work right up through Tales from Topographic Oceans. "Astral Traveller," as a title, anticipates the themes of future group work, though they still don't have the dexterity to pull off the tempo changes they're trying for. By the time the record was completed, Banks was out of the band, which is why Steve Howe, his successor, ended up pictured on the cover of most editions.“ (Bruce Eder, AMG)
Jon Anderson, vocals, percussion
Peter Banks, electric and acoustic guitars, vocals
Chris Squire, bass, vocals
Tony Kaye, Hammond organ, piano
Bill Bruford, drums, percussion
Additional musicians:David Foster, vocals on "Sweet Dreams", acoustic guitar on "Time and a Word"
Recorded November 1969 – January 1970 at Advision Studios, London, England
Engineered by Eddie Offord
Produced by Tony Colton
Digitally remastered
„Yes' second (and least successful) album was a transitional effort; the group trying for a more produced and sophisticated sound through the use of an orchestra. Even so, the results weren't conventional, because the group didn't tone down or turn down its sound. Much of Time and a Word relies on bold, highly animated performances by Bill Bruford, Chris Squire, and Tony Kaye. Additionally, by this time the group was developing a much tauter ensemble than was evident on their first LP, so there's no lack of visceral excitement. "No Opportunity Necessary, No Experience Needed" was a bold opening, a highly amplified, frenzied adaptation of the Richie Havens song, melded with Jerome Moross's title music from the movie The Big Country. Somewhat more successful musically is "Then," which keeps the orchestral accompaniment to a minimum and allows Kaye and Banks to stretch out on organ and guitar. "Everydays" is highlighted by Anderson's ethereal vocals and Kaye's dueting with the orchestra. A surprising amount of the material here seems rather tuneless, but the group was solidifying its sound and, in the process, forcing Banks out of the lineup, despite some beautiful moments for him (and Tony Kaye) on the prettiest parts of "The Prophet," a piece that also contains fragments of music that anticipate Yes' work right up through Tales from Topographic Oceans. "Astral Traveller," as a title, anticipates the themes of future group work, though they still don't have the dexterity to pull off the tempo changes they're trying for. By the time the record was completed, Banks was out of the band, which is why Steve Howe, his successor, ended up pictured on the cover of most editions.“ (Bruce Eder, AMG)
Jon Anderson, vocals, percussion
Peter Banks, electric and acoustic guitars, vocals
Chris Squire, bass, vocals
Tony Kaye, Hammond organ, piano
Bill Bruford, drums, percussion
Additional musicians:David Foster, vocals on "Sweet Dreams", acoustic guitar on "Time and a Word"
Recorded November 1969 – January 1970 at Advision Studios, London, England
Engineered by Eddie Offord
Produced by Tony Colton
Digitally remastered
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YES - Time And A Word.rar - 1.6 GB
YES - Time And A Word.rar - 1.6 GB