Bolette Roed - J.S. Bach: Sonatas, Partitas & Suites – Complete Arrangements for Solo Recorder (2018) [Hi-Res]

  • 14 Oct, 14:27
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Artist:
Title: J.S. Bach: Sonatas, Partitas & Suites – Complete Arrangements for Solo Recorder
Year Of Release: 2018
Label: Ondine
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +booklet
Total Time: 01:44:17
Total Size: 455 mb / 1.8 gb
WebSite:

Tracklist
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CD1
01. Violin Partita No. 3 in E Major, BWV 1006 (Arr. F. Brüggen for Recorder): I. Preludio
02. Violin Partita No. 3 in E Major, BWV 1006 (Arr. F. Brüggen for Recorder): III. Gavotte en rondeau
03. Violin Partita No. 3 in E Major, BWV 1006 (Arr. F. Brüggen for Recorder): V. Bourrée
04. Violin Partita No. 3 in E Major, BWV 1006 (Arr. F. Brüggen for Recorder): VI. Gigue
05. Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio (Arr. F. Brüggen for Recorder)
06. Violin Sonata No. 2 in A Minor, BWV 1003: IV. Allegro (Arr. F. Brüggen for Recorder)
07. Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai (Arr. F. Brüggen for Recorder)
08. Violin Partita No. 2 in D Minor, BWV 1004 (Arr. F. Brüggen for Recorder): I. Allemanda
09. Violin Partita No. 2 in D Minor, BWV 1004 (Arr. F. Brüggen for Recorder): II. Courante
10. Violin Partita No. 2 in D Minor, BWV 1004 (Arr. F. Brüggen for Recorder): III. Sarabande
11. Violin Partita No. 2 in D Minor, BWV 1004 (Arr. F. Brüggen for Recorder): IV. Gigue

CD2
01. Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder): I. Prelude
02. Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder): II. Allemande
03. Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder): III. Courante
04. Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder): IV. Sarabande
05. Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder): V. Menuets I & II
06. Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder): VI. Gigue
07. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder): I. Prelude
08. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder): II. Allemande
09. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder): III. Courante
10. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder): IV. Sarabande
11. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder): V. Menuets I & II
12. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder): VI. Gigue
13. Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder): I. Prelude
14. Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder): II. Allemande
15. Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder): III. Courante
16. Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder): IV. Sarabande
17. Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder): V. Bourrées I & II
18. Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder): VI. Gigue

This new Ondine release by Danish-born recorder player Bolette Roed includes the music of Johann Sebastian Bach arranged for solo recorder. The works were arranged by Frans Brüggen (1934–2014), a famous Dutch recorder player and conductor, and one of the greatest exponents of the movement of historically informed performance practice. With the exception of his Partita BWV 1013, Bach wrote relatively few works for the recorder. However, composers like Bach and Vivaldi did themselves arrange many of their works for different instruments. From this point of view the work of arranging Bach’s solo cello and violin pieces for recorder is something that Bach himself could have done, had he been inspired by a talented recorder player at the time of composition. For this recording several different recorders were chosen. In the 11 movements written for the violin original keys were kept by choosing the recorders accordingly. The cello suites are played on one recorder only, and are transposed from the original keys down a minor second. Bolette Roed is an award-winning artist who regularly performs with major Danish orchestras as well as with early music ensembles and baroque orchestras in various countries. Roed strives to extend the instrument’s repertoire beyond its established role in Early Music, towards new frontiers of improvisation, folk, and world music. She aspires to adapt canonical classical works to the recorder, and remains in constant dialogue with, and commissions new works from, today’s composers.




  • Merry-Go-Round
  •  10:06
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Great recording, very spacious and with grandeur! Excellent!
When available in Hi-Res, please post also. Thanks.
  • platico
  •  19:56
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gracias...
  • Merry-Go-Round
  •  21:09
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Thanks a lot, fantastik, for the Hi-Res copy.
Appreciated!