Helsinki Philharmonic Orchestra & John Storgards - Madetoja: Symphonies Nos. 1 and 3 & Okon Fuoko Suite (2014) [Hi-Res]

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Title: Madetoja: Symphonies Nos. 1 and 3 & Okon Fuoko Suite
Year Of Release: 2014
Label: Ondine
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:06:41
Total Size: 273 / 1103 mb
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Tracklist
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01. Symphony No. 1 in F Major, Op. 29: I. Allegro
02. Symphony No. 1 in F Major, Op. 29: II. Lento misterioso
03. Symphony No. 1 in F Major, Op. 29: III. Finale. Allegro vivace
04. Symphony No. 3 in A Major, Op. 55: I. Andantino-Allegretto
05. Symphony No. 3 in A Major, Op. 55: II. Adagio
06. Symphony No. 3 in A Major, Op. 55: III. Allegro non troppo
07. Symphony No. 3 in A Major, Op. 55: IV. Pesante, tempo moderato-Allegretto
08. Okon Fuoko Suite, Op. 58: I. Okon Fuoko, the Dream Sorcerer
09. Okon Fuoko Suite, Op. 58: II. The Guests Arrive
10. Okon Fuoko Suite, Op. 58: III. Dance of the Puppets
11. Okon Fuoko Suite, Op. 58: IV. Dance of the Man and the Woman. Dance Grotesque


This new release completes Ondine’s two-disc survey of Madetoja’s symphonies. Considered one of Sibelius’ finest contemporaries in Finnish orchestral music, Madetoja merges the landscape and folk songs of his native province of Ostrobothnia with a French elegance (Symphony No. 3) to create a unique voice.

John Storgårds and the Helsinki PO are widely celebrated both in live performance and recordings. Their release of Rautavaara’s Cello Concerto No. 2 (ODE 1178-2) was given the 2012 Contemporary recording prize at the 2012 Gramophone awards and the previous release in this series (Symphony No. 2) was described as being conducted with ‘sharp insight and unfaltering authority. Under Storgårds’ baton the impeccably prepared Helsinki Philharmonic exhibits their commitment to the music.’ (MusicWeb) with BBC Music Magazine awarding 4 stars for a ‘vividly performed’ recording.

This release includes the orchestral suite from the ballet pantomime Okon Fuoko. The work has clear affinities to Ravel and Prokofiev and reveals Madetoja’s modernism as a composer in the early 20th century.