Alex Harvey - Roman Wall Blues (Reissue) (1969/2001)
Artist: Alex Harvey
Title: Roman Wall Blues
Year Of Release: 1969/2001
Label: Red Fox Records
Genre: Blues Rock, Psychedelic Rock, Art Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 36:59
Total Size: 93/244 Mb (scans)
WebSite: Album Preview
Title: Roman Wall Blues
Year Of Release: 1969/2001
Label: Red Fox Records
Genre: Blues Rock, Psychedelic Rock, Art Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 36:59
Total Size: 93/244 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Midnight Moses
02. Hello L.A. Bye Bye Birmingham
03. Broken Hearted Fairytale
04. Donna
05. Roman Wall Blues
06. Jumping Jack Flash
07. Hammer Song
08. Let my Bluebird Sing
09. Maxine
10. Down At Bart's Place
11. Candy
Line-up::
TRUMPETS - Bud Parks Derek Watkins
TROMBONE - Derek Wadsworth
ALTO/PERCUSSION - Frank Ricotti
BARITONE/FLUTE - Ashton Tootle
BASS/ELECTRONICS - Laurie Baker
GUITARS - Mickey Keene, Lesley Harvey, Alex Harvey
KEYBOARD - Maurice Cockerill
DRUMS - Pete Wolfe
BRASS ARRANGEMENTS - Derek Wadsworth * Frank Ricotti
Roman Wall Blues was an awkward though intermittently interesting effort that still found Harvey in the midst of his long, halting transition from soul-blues artist to a more original songwriter who fused satire and hard rock with R&B. Many of the arrangements have a dated horn-adorned soul-rock feel, and the trendy band-on-the-road hippie phraseology isn't as funny as it was probably intended to be. But there are some genuinely enjoyable tracks here and there, like the goofy minstrel folk-rock of "Broken Hearted Fairytale," the desultory lament "Maxine," and the uncommonly grim title track, where Harvey plays the part of an actual Roman soldier on patrol. And Harvey's vocals are never less than exuberant, in the manner of that hyperactive kid who's barely toned down even after reaching adulthood, particularly on the '50s rock & roll-style "Donna." Covering the Rolling Stones' "Jumpin' Jack Flash" was an utterly superfluous endeavor, however. It's among the rarest of Harvey's albums, and as a little-heard link in his evolution it deserves reissue, in spite of its inconsistency.