Martha Argerich - Shostakovich: Piano Concerto No.1, Concertino for Two Pianos (2007)

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Artist:
Title: Shostakovich: Piano Concerto No.1, Concertino for Two Pianos (2007)
Year Of Release: 2007
Label: Warner Classics
Genre: Classical
Quality: FLAC (image+.cue,log,scans) / FLAC (tracks)
Total Time: 01:06:18
Total Size: 313 Mb / 303 mb
WebSite:

Tracklist:

Concerto for Piano, Trumpet and Strings in C minor, Op. 35
01. I. Allegro moderato
02. Concerto for Piano, Trumpet and Strings in C minor, Op. 35- II. Lento largo
03. Concerto for Piano, Trumpet and Strings in C minor, Op. 35- III. Moderato
04. Concerto for Piano, Trumpet and Strings in C minor, Op. 35- IV. Allegro con brio

Orchestra Della Svizzera Italiana
Piano – Martha Argerich
Trumpet – Sergei Nakariakov

05. Concertino for Two Pianos in A minor, Op. 94

Piano – Lilya Zilberstein, Martha Argerich

Quintet for Piano and Strings in G minor, Op. 57
06. I. Prelude. Lento
07. II. Fugue. Adagio
08. III. Scherzo. Allegretto
09. IV. Intermezzo. Lento
10. V. Finale. Allegretto

Cello – Mischa Maisky
Piano – Martha Argerich
Viola – Lida Chen
Violin – Alissa Margulis, Renaud Capuçon

These performances recorded live at the 2006 Lugano Festival are examples of Martha Argerich at her best. Argerich has always been a supremely virtuosic pianist with artistic temperament to spare, and these performances embody all those qualities to the hilt. With the flashy but never self-indulgent trumpeter Sergei Nakariakov and the superbly sculpted strings of the Orchestra della Svizzera Italiana led by conductor Alexander Vedernikov, Argerich turns in a concerto that is lively, witty, passionate, and funny in the finale. With the frisky Lilya Zilberstein, Argerich turns in a concertino of unrelenting energy and unstoppable momentum. But best of all is Argerich's quintet with violinists Renaud Capuçon and Alissa Margulis, violist Lida Chen, and cellist Mischa Maisky. From the massive chords of the opening Lento to the irresistible energy of the closing Allegretto, this performance ranks with the Richter/Borodin quartet as the finest ever made, and anyone who loves the work, the composer, and, of course, the performers should make a point of hearing this disc. EMI's live digital sound is close, clear, warm, and detailed.




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