Kenny Wheeler Big Band - The Long Waiting (2012) FLAC
Artist: Kenny Wheeler Big Band
Title: The Long Waiting
Year Of Release: 2012
Label: C.A.M. Jazz
Genre: Jazz, Post-Bop, Big Band
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 68:31
Total Size: 402 mb
WebSite: Album Preview
Tracklist:Title: The Long Waiting
Year Of Release: 2012
Label: C.A.M. Jazz
Genre: Jazz, Post-Bop, Big Band
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 68:31
Total Size: 402 mb
WebSite: Album Preview
1 Canter N. 6 4:18
2 Four, Five, Six 9:50
3 The Long Waiting 7:27
4 Seven, Eight, Nine 5:33
5 Enowena 11:23
6 Comba N. 3 7:58
7 Canter N. 1 / Old Ballad 14:11
8 Upwards 7:47
Alto Saxophone – Duncan Lamont, Ray Warleigh
Baritone Saxophone – Julian Argüelles
Bass – Chris Laurence
Conductor – Pete Churchill
Drums – Martin France
Flugelhorn, Written-By, Arranged By – Kenny Wheeler
Guitar – John Parricelli
Piano – John Taylor
Tenor Saxophone – Stan Sulzmann
Trombone – Barnaby Dickinson, Dave Horler, Mark Nightingale
Trombone [Bass Trombone] – Dave Stewart
Trumpet – Derek Watkins, Henry Lowther, Nick Smart, Tony Fisher
Vocals – Diana Torto
Kenny Wheeler has long been a talented composer, improviser, and soloist, though he is still overlooked by some jazz fans because most of his work has been issued by European labels. Among the composers of his generation, Wheeler is one of the best, along with the late Bob Brookmeyer, in writing and scoring creative works for a large ensemble. For this session, Wheeler's charts are performed by a 17-piece big band -- with the addition of Diana Torto's wordless vocals -- conducted by Pete Churchill. Wheeler's expressive flügelhorn has a slightly dissonant, fragile sound that is very much his own, while his works are full of moving ensemble passages and superb individual solos. The peppy "Four, Five, Six" is very much a modern work, with intricate solos by Wheeler, bassist Chris Laurence, baritone saxophonist Julian Argüelles, and guitarist John Parricelli. The Latin undercurrent of his extended work "Enowena" proves infectious as a backdrop for Wheeler's powerful solo. "Upwards" begins as a deliberate, brooding piece that suggests an emotional upheaval, with Wheeler stretching the upper range of his horn; it changes character midway into driving post-bop. This is easily one of Kenny Wheeler's best efforts as a leader.