Isabelle Poulenard, Sophie Boulin - Jacquet de la Guerre: Cantates bibliques (2002)

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Artist:
Title: Jacquet de la Guerre: Cantates bibliques
Year Of Release: 2002
Label: Arion
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 75:27
Total Size: 408 Mb
WebSite:

Tracklist:

Elisabeth Jacquet de la Guerre (1665-1729)

[1]-[8] Esther
[9]-[16] Jacob et Rachel
[17]-[24] Suzanne
[25]-[33] Judith
[34]-[42] Jephté

Performers:
Isabelle Poulenard soprano ([1]]-[8], [17]-[24], [34]-[42])
Sophie Boulin soprano ([9]-[16], [25]-[33], [34]-[42])
Bernadette Charbonnier violon ([25]-[33])
Françoise Bloch viole de Gambe ([1]-[33])
Claire Giardelli violoncelle ([34]-[42])
Brigitte Haudebourg clavecin ([1]-[33])
Georges Guillard orgue ([34]-[42])
Gui Robert théorbe ([1]-[33])

This release was originally part of a two-disc album of vocal and instrumental pieces by Elisabeth Jacquet de la Guerre issued in 1986. The music by this gifted contemporary of François Couperin is enjoying a renaissance, and justifiably, for it is inventive and affecting. Sopranos Isabelle Poulenard and Sophie Boulin are fluent in the somewhat rarefied idiom of the 'cantate française' and the result is delicately pleasing. Four of the cantatas on the disc are taken from Jacquet's first collection of Cantates françaises sur des sujets tirés de l'écriture, published in 1708, and dedicated to Louis XIV. The fifth work, Jephté, comes from a second collection issued in 1711 and is distinct from the other cantatas on the disc in being written for two voices rather than one. The texts in each case were provided by her younger contemporary Antoine Houdar de La Motte, who is chiefly remembered for his libretti for operas by Campra, Destouches and Marais. Though each piece is inspired by an Old Testament story, Jacquet's music is neither austere nor discernibly 'sacré', often embracing the lighter, airier style galant. The writing is accomplished, full of fresh ideas and never sinks into routine. Singing and playing are not entirely devoid of little insecurities but the recital is well worth getting to know.