Rita Moss - Queen Moss 1951-1959 (2019)
Artist: Rita Moss
Title: Queen Moss 1951-1959
Year Of Release: 2019
Label: Fresh Sound Records
Genre: Jazz, Vocal Jazz
Quality: FLAC (tracks)
Total Time: 70:02 min
Total Size: 216 MB
WebSite: Album Preview
Tracklist:Title: Queen Moss 1951-1959
Year Of Release: 2019
Label: Fresh Sound Records
Genre: Jazz, Vocal Jazz
Quality: FLAC (tracks)
Total Time: 70:02 min
Total Size: 216 MB
WebSite: Album Preview
01. I Never Was So Surprised
02. I'll Be Waiting for You
03. Darlin'
04. Love Me or Please Let Me Be
05. You Never Had It so Good
06. When Day Is Done
07. Happiness Is a Thing Called Joe
08. Memories of You
09. Jungle Drums
10. One Hundred Years from Today
11. This Can't Be Love
12. Did I Remember
13. Take the “A” Train
14. I Got It Bad and that Ain’t Good
15. Bopligatto
16. Exactly like You
17. My Romance
18. I Only Have Eyes for You
19. Love Is Here to Stay
20. The Blue Room
21. I Should Know
22. In My Ole Kentucky Home
23. Daydream
Although Rita Moss (1918-2015) took piano lessons as a child, she was mostly a self-taught multi-instrumentalist who could play piano, organ and drums. She later became a singer too, endowed with a unique sound.
In June 1952, Jet magazine said: “Yma Sumac has a rival in cute Rita Moss, who has a sensational four-octave range voice. She is due for a bigtime treatment.” Her voice was a finely tuned instrument, played with the passionate fever of an artist in search for perfection. This, paired with her captivating act as a live performer, earned her the appreciation of fans, and eventually the nickname “Queen Moss” for her zealous, almost cult-like following.
After her first album, a writer at Billboard mentioned she had a “breezy, whimsical style that does not obscure the solidity of her jazz conceptions,” qualities that would remain constant throughout her career.
In June 1952, Jet magazine said: “Yma Sumac has a rival in cute Rita Moss, who has a sensational four-octave range voice. She is due for a bigtime treatment.” Her voice was a finely tuned instrument, played with the passionate fever of an artist in search for perfection. This, paired with her captivating act as a live performer, earned her the appreciation of fans, and eventually the nickname “Queen Moss” for her zealous, almost cult-like following.
After her first album, a writer at Billboard mentioned she had a “breezy, whimsical style that does not obscure the solidity of her jazz conceptions,” qualities that would remain constant throughout her career.