Daahoud Salim & Erwin Schulhoff - Forbidden Music (2016) [Hi-Res]
Artist: Daahoud Salim, Erwin Schulhoff
Title: Forbidden Music
Year Of Release: 2016
Label: Challenge Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz
Total Time: 00:59:14
Total Size: mb / mb
WebSite: Album Preview
TracklistTitle: Forbidden Music
Year Of Release: 2016
Label: Challenge Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz
Total Time: 00:59:14
Total Size: mb / mb
WebSite: Album Preview
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01. Konzert für Klavier und kleines Orchester, Op. 43, WV 66: Molto Sostenuto
02. Konzert für Klavier und kleines Orchester, Op. 43, WV 66: Sostenuto
03. Konzert für Klavier und kleines Orchester, Op. 43, WV 66: Allegro alla Jazz
04. Troisième Suite pour piano pour la main gauche, WV 81: I .Preludio
05. Troisième Suite pour piano pour la main gauche, WV 81: II. Air
06. Troisième Suite pour piano pour la main gauche, WV 81: III. Zingara
07. Troisième Suite pour piano pour la main gauche, WV 81: IV. Improvisazione
08. Troisième Suite pour piano pour la main gauche, WV 81: V. Finale
09. Suite dansante en jazz, WV 98: Stomp
10. Suite dansante en jazz, WV 98: Strait
11. Suite dansante en jazz, WV 98: Waltz
12. Suite dansante en jazz, WV 98: Tango
13. Suite dansante en jazz, WV 98: Slow
14. Suite dansante en jazz, WV 98: Fox-Trot
15. Ironien, Op. 34, WV 55, suite pour piano à quatre mains: I. Allegro molto ritmico
16. Ironien, Op. 34, WV 55, suite pour piano à quatre mains: II. Allegro agitato
17. Ironien, Op. 34, WV 55, suite pour piano à quatre mains: III. Alla Marcia militaristica
18. Ironien, Op. 34, WV 55, suite pour piano à quatre mains: IV. Allegro ma non troppo
19. Ironien, Op. 34, WV 55, suite pour piano à quatre mains: V. Allegro deciso
20. Ironien, Op. 34, WV 55, suite pour piano à quatre mains: VI. Tempo di Fox
Schulhoff's music remained a well-kept secret for many years, due in part to its apparent eclecticism. Fortunately, that situation has changed over the last twenty years or so. This CD from the Conservatorium van Amsterdam contains piano works from the period 1920-1931, an extremely fruitful period during which Schulhoff gave vent to his fascination for the new jazz and dance music without entirely losing sight of classical tradition.
He was a brilliant pianist himself, making frequent appearances in the concert hall and later in radio studios, renowned for his immaculate technique, fabulous memory and prowess as an improviser. The combination of classical foundations and more decorative jazz elements in Schulhoff's music suits Daahoud Salim Alvarez down to the ground, as he studied both classical and jazz piano at the Conservatorium van Amsterdam. Schulhoff constantly faced the dilemma of respecting traditions while at the same time being keen to distance himself from them. This is illustrated, for instance, by his Concerto for piano and chamber orchestra - February 1923.
He was a brilliant pianist himself, making frequent appearances in the concert hall and later in radio studios, renowned for his immaculate technique, fabulous memory and prowess as an improviser. The combination of classical foundations and more decorative jazz elements in Schulhoff's music suits Daahoud Salim Alvarez down to the ground, as he studied both classical and jazz piano at the Conservatorium van Amsterdam. Schulhoff constantly faced the dilemma of respecting traditions while at the same time being keen to distance himself from them. This is illustrated, for instance, by his Concerto for piano and chamber orchestra - February 1923.
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