The Ray Campi Quartet - Train Rhythm Blue (1998)
Artist: The Ray Campi Quartet
Title: Train Rhythm Blue
Year Of Release: 1998
Label: Sci-Fi Western Records
Genre: Country Rock, Rock & Roll, Rockabilly
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 34:53
Total Size: 128/278 Mb (scans)
WebSite: Album Preview
Title: Train Rhythm Blue
Year Of Release: 1998
Label: Sci-Fi Western Records
Genre: Country Rock, Rock & Roll, Rockabilly
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 34:53
Total Size: 128/278 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Tear It Down
02. Hot Water
03. Lorena
04. Little Love Lies
05. Luther Played Guitar
06. Don't Forget The Train
07. Burning In Water, Drowning In Flame
08. Here Comes That Heartache
09. An Honest Bar
10. The One Who Got Away
11. If Two Ends Meet
12. (Brown Eyes And) Train Rhythm Blue
Line-up::
Ray Campi - vocals, upright bass, dobro
Skip Heller - guitar
Rip Masters - piano, electric piano
D.J. Bonebrake - drums
Rockabilly wildman Ray Campi recorded several classic singles during the music's prime era, and later staged a comeback that earned him a substantial cult audience over the '70s and '80s. Campi was born in New York in 1934 and moved with his family to Austin, TX, at age ten. He started listening to country music, learned the guitar, and formed his first band in high school, which played on local radio stations. Campi made his first recordings in 1951, but it wasn't until 1956, when he cut the single "Caterpillar" b/w "Play It Cool" for the small TNT label, that any of them were released. He went on to record for Domino ("Screamin' Mimi") and Dot ("The Ballad of Donna & Peggy Sue"), and moved to Los Angeles in 1959, where he signed with Colpix and recorded "Hear What I Wanna Hear." During the early '60s, Campi lived in New York and spent two and a half years as a staff writer at Aaron Schroeder's publishing firm, but was never allowed to record any of the songs he'd written. He returned to Austin in 1967 and recorded "Civil Disobedience" for the Sonobeat label, but nothing came of it, and he settled in Los Angeles and became a junior-high school teacher. Around 1973, Campi hooked up with Ronny Weiser's revivalist Rollin' Rock label and started making new recordings in the classic, high-energy rockabilly style. A steady stream of albums followed into the '80s, which also brought a couple of sets for Rounder, 1980's Rockin' at the Ritz and 1986's Gone, Gone, Gone!. Campi continued to record into the new millennium, releasing occasional albums on his own label.