Artist:
Orchestre De La Sarre & Karl Ristenpart
Title:
Bach: Oeuvres pour orchestre
Year Of Release:
2000
Label:
Accord
Genre:
Classical
Quality:
FLAC (image + .cue, log, artwork)
Total Time: 6:22:03
Total Size: 2.17 GB
WebSite:
Album Preview
Disc 1
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: 4 Fugues Simples (à 4 voix). Contrepoint 1
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Fugues Simples (à 4 voix). Contrepoint 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Fugues Simples (à 4 voix). Contrepoint 3
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Fugues Simples (à 4 voix). Contrepoint 4
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 3 Fugues Strettes (à 4 voix). Contrepoint 5
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 3 Fugues Strettes (à 4 voix). Contrepoint 6
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 3 Fugues Strettes (à 4 voix). Contrepoint 7
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Doubles Fugues (à 3 et 4 voix). Contrepoint 8
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Doubles Fugues (à 3 et 4 voix). Contrepoint 9
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Doubles Fugues (à 3 et 4 voix). Contrepoint 10
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Doubles Fugues (à 3 et 4 voix). Contrepoint 11
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Canons (à 2 voix). Contrepoint 12
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Canons (à 2 voix). Contrepoint 13
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Canons (à 2 voix). Contrepoint 14
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 4 Canons (à 2 voix). Contrepoint 15
Disc 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: 2 Fugues - Miroirs (à 3 voix). Contrepoint 16
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 2 Fugues - Miroirs (à 3 voix). Contrepoint 17
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 2 Fugues - Miroir (à 4 voix). Contrepoint 18
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: 2 Fugues - Miroir (à 4 voix). Contrepoint 19
Orchestre de Chambre de la Sarre, Karl Ristenpart - Die Kunst der Fuge: Triple Fugue Inachevée (à 3 voix). Contrepoint 20
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Ouverture
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Courante
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Gavottes 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Forlane
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Menuets 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Bourrées 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 1 in C major, BWV 1066: Passepieds 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Ouverture
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Rondeau
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Sarabande
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Bourrées 1 & 2 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Menuet
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie
Disc 3
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 3 in D major, BWV 1068 - Ouverture
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 3 in D major, BWV 1068 - Air
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 3 in D major, BWV 1068 - Gavottes 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 3 in D major, BWV 1068 - Bourrée
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 3 in D major, BWV 1068 - Gigue
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 4 in D major, BWV 1069 - Ouverture
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 4 in D major, BWV 1069 - Bourrées 1 & 2
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 4 in D major, BWV 1069 - Gavotte
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 4 in D major, BWV 1069 - Menuet
Orchestre de Chambre de la Sarre, Karl Ristenpart - Orchestral Suite No. 4 in D major, BWV 1069 - Réjouissance
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 violins, strings & continuo in D major (reconstruction), BWV 1064R: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 violins, strings & continuo in D major (reconstruction), BWV 1064R: Adagio
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 violins, strings & continuo in D major (reconstruction), BWV 1064R: Allegro
Disc 4
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 1 in F major, BWV 1046: (Allegro)
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 1 in F major, BWV 1046: Adagio
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 1 in F major, BWV 1046: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 1 in F major, BWV 1046: Menuetto - Polacca
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 2 in F major, BWV 1047: (Allegro)
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 2 in F major, BWV 1047: Andante
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 2 in F major, BWV 1047: Allegro Assai
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 3 in G major, BWV 1048: (Allegro) - Adagio
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 4 in G major, BWV 1049: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 4 in G major, BWV 1049: Andante
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 4 in G major, BWV 1049: Presto
Disc 5
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 5 in D major, BWV 1050: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 5 in D major, BWV 1050: Affettuoso
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 5 in D major, BWV 1050: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 6 in B flat major, BWV 1051: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 6 in B flat major, BWV 1051: Adagio ma non troppo
Orchestre de Chambre de la Sarre, Karl Ristenpart - Brandenburg Concerto No. 6 in B flat major, BWV 1051: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for flute, violin, harpsichord, strings & continuo in A minor («Triple»), BWV 1044: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for flute, violin, harpsichord, strings & continuo in A minor («Triple»), BWV 1044: dagio, ma non tanto, e dolce
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for flute, violin, harpsichord, strings & continuo in A minor («Triple»), BWV 1044: Alla breve
Disc 6
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: Vivace
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: Largo ma non tanto
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 harpsichords, strings & continuo in D minor, BWV 106: Siciliana
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: Adagio
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: Allegro
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: Largo
Orchestre de Chambre de la Sarre, Karl Ristenpart - Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: Allegro
This German conductor was heavily involved in creating three orchestras in his lifetime, most notably the Chamber Orchestra of the Saar. With this group he is often considered to have created one of the definitive recorded collections of Bach's orchestral music. These recordings originally saw the light of day in the early '60s as a Nonesuch release on both LP and cassette. Following an out of print period, it was cause for celebration among Bach lovers when the French Accord label released a six-CD set comprising the entire set of Ristenpart recordings of Bach orchestral works. The conductor and his colleagues from Saarbrucken have also recorded impressive performances of works by Mozart and Haydn, among others. The lasting fame he received for these interpretations of Baroque music and Mozart overshadowed the fact that as the head of the Saar orchestra he brought in works by approximately 250 composers, at least half of them considered modern or contemporary. A possible influence in this direction was Ristenpart's mother, Paula Schramm, later Pauline Rettig. (Her second marriage was to Hermann Scherchen, the politically active conductor responsible for the premiere performances of what were at the time controversial pieces by composers such Berg and Xenakis).
Ristenpart studied at the Stern Conservatory in Berlin and Vienna, the latter city exerting a strong musical influence. In 1932, he was chosen as a conductor of the Berlin Chamber Orchestra, which also came to be known as the Chamber Orchestra of Karl Ristenpart. He also led a series of concerts with the Berlin Radio Orchestra, but began to have great difficulty in his career as a young conductor in Germany when the Nazis came to power. Following World War II, with that city divided into several foreign sectors, he was named conductor for "Radio in the American Sector of Berlin" or the Chamber Orchestra of R.I.A.S., the second of his important periods of orchestra development. This was the beginning of his breakthrough to fame as a conductor, although the post-war political situation created many financial problems for German radio broadcasting in the early '50s.
He first began working as conductor with the Chamber Orchestra of the Saar in 1953, and the ensuing collaboration with Ristenpart was fruitful, leading to many tours, recordings and partnerships with premier soloists such as flautist Jean-Pierre Rampal. Approximately 170 albums featuring Ristenpart and this orchestra have been marketed all over the world. These include several albums of Bach vocal cantatas, including an Archiv production featuring baritone Dietrich Fischer-Dieskau and Herman Totcher playing oboe and oboe da caccia. Ristenpart was later based in Portugal, where he died in the late '60s. Unfortunately, the Chamber Orchestra of the Saar was unable to survive the dimming of its guiding light. German author Charles W. Scheel has published a biography of Ristenpart, so far available only in German from the Saarbrücker Druckerei und Verlag (printing and publishing house). ~ Eugene Chadbourne