Tom Waits - Heartattack And Vine (Remastered) (1980/2018) [Hi-Res]
Artist: Tom Waits
Title: Heartattack And Vine (Remastered)
Year Of Release: 2018
Label: Anti/Epitaph
Genre: Blues, Jazz, Rock, Alternative, Singer-Songwriter
Quality: 320 / FLAC 16/24 Bit (96 KHz / tracks)
Total Time: 44:24 min
Total Size: 103 / 209 / 782 MB
WebSite: Album Preview
Tracklist:Title: Heartattack And Vine (Remastered)
Year Of Release: 2018
Label: Anti/Epitaph
Genre: Blues, Jazz, Rock, Alternative, Singer-Songwriter
Quality: 320 / FLAC 16/24 Bit (96 KHz / tracks)
Total Time: 44:24 min
Total Size: 103 / 209 / 782 MB
WebSite: Album Preview
01. Heartattack And Vine 4:50
02. In Shades 4:25
03. Saving All My Love For You 3:42
04. Downtown 4:45
05. Jersey Girl 5:12
06. ‘Til The Money Runs Out 4:26
07. On The Nickel 6:20
08. Mr. Siegal 5:15
09. Ruby’s Arms 5:36
The final Asylum album from 1980 couldn't be more different than Waits' '73 debut - his voice sounds like the marvellous ruin that we know and love today, the ballads remain (On the Nickel is beautiful and even Springsteen took a crack at Jersey Girl) but it's the twisted warped blues of the title track that points the way to the extraordinary world of Swordfishtrombones.
"Heartattack and Vine, Tom Waits' first album in two years and his last of seven for Asylum Records, is a transitional album, with tracks like the rhythm-heavy title song and "'Til the Money Runs Out" foreshadowing the sonic experiments of the Island albums, while piano-with-orchestra tracks like "Saving All My Love for You" and "On the Nickel" (written as a motion-picture title tune) hark back to Waits' Randy Newman-influenced early days. It is just as well that Waits never entirely gave up on the ballad material; "Jersey Girl," a Drifters-style song, is a winner, and it was appropriated by Bruce Springsteen on his 1981 tour. Also, at least at this point, the rougher tunes all tended to sound the same." (William Ruhlmann, AMG)
"Heartattack and Vine, Tom Waits' first album in two years and his last of seven for Asylum Records, is a transitional album, with tracks like the rhythm-heavy title song and "'Til the Money Runs Out" foreshadowing the sonic experiments of the Island albums, while piano-with-orchestra tracks like "Saving All My Love for You" and "On the Nickel" (written as a motion-picture title tune) hark back to Waits' Randy Newman-influenced early days. It is just as well that Waits never entirely gave up on the ballad material; "Jersey Girl," a Drifters-style song, is a winner, and it was appropriated by Bruce Springsteen on his 1981 tour. Also, at least at this point, the rougher tunes all tended to sound the same." (William Ruhlmann, AMG)