Charles McPherson - Manhattan Nocturne (2006)
Artist: Charles McPherson
Title: Manhattan Nocturne
Year Of Release: 2006
Label: Arabesque Recordings
Genre: Jazz, Post-Bop
Quality: FLAC (image+.cue, log, Artwork)
Total Time: 59:50
Total Size: 370 MB
WebSite: Album Preview
Tracklist:Title: Manhattan Nocturne
Year Of Release: 2006
Label: Arabesque Recordings
Genre: Jazz, Post-Bop
Quality: FLAC (image+.cue, log, Artwork)
Total Time: 59:50
Total Size: 370 MB
WebSite: Album Preview
01. Evidence (6:10)
02. You're My Thrill (8:14)
03. Morning Dance (6:40)
04. Primal Urge (8:16)
05. Blue n' Boogie (7:07)
06. How Deep Is the Ocean? (10:13)
07. Manhattan Nocturne (7:08)
08. Fire Dance (6:02)
Alto saxophonist/composer McPherson has been playing masterful bop and its extensions for several decades. He shows no signs of slowing down with this extraordinary set of eight compositions, half that he wrote, split into two bop or bop-informed standards, two low-key numbers, two in the mid-rhythmic range, and two modal ostinato-based figures as vehicles for improvising. All are spiced by the bubbling conga playing of Bobby Sanabria and solidly reinforced by the battleship dense musings of pianist Mulgrew Miller, bassist Ray Drummond, and drummer Victor Lewis, an undeniably brilliant backing ensemble. Listen to the fluidity of McPherson's on any of these cuts, and you'll know why he remains the eminent extension of Charlie Parker. McPherson concisely digs into "Blue'n'Boogie," then stands back and lets Miller, Drummond, and Lewis fly at about 200 mph. The Afro-Cuban cooker "Fire Dance" lets Sanabria loose, and the whole band really catches fire. The slower tunes are quite a contrast. The ten-plus-minute ballad "How Deep Is the Ocean?" features a ruminating refrain played in ultra dramatic proportions by the saxophonist. The dusky, sensual, black-hued title track and similarly shadowed "You're My Thrill," with Sanabria's skulking congas and Lewis's jungle rhythms transcending the obvious romantic notions, are outstanding examples of music that doesn't have to be burning to be compelling and sensational in its own way. This CD by McPherson is his best of the '70s, '80s, and '90s, and he's done some very good ones. The combination of seasoned, thinking musicians and excellent material, played to the hilt, is too good a combination for any jazz lover to resist.