Europa Galante, Fabio Biondi - Concerti per la Pietà (2020) [Hi-Res]
Artist: Europa Galante, Fabio Biondi
Title: Concerti per la Pietà
Year Of Release: 2020
Label: Glossa
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:10:55
Total Size: 356 MB / 1.24 GB
WebSite: Album Preview
Tracklist:Title: Concerti per la Pietà
Year Of Release: 2020
Label: Glossa
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:10:55
Total Size: 356 MB / 1.24 GB
WebSite: Album Preview
1. Concerto for 2 Violins in D Major, RV 513: I. Allegro molto (6:00)
2. Concerto for 2 Violins in D Major, RV 513: II. Andante (3:28)
3. Concerto for 2 Violins in D Major, RV 513: III. Allegro (5:36)
4. Violin Concerto in D Major, RV 222: I. Allegro (3:54)
5. Violin Concerto in D Major, RV 222: II. Andante (4:17)
6. Violin Concerto in D Major, RV 222: III. Allegro (3:28)
7. Concerto for Violin, Cello & Organ in C Major, RV 554a: I. — (4:50)
8. Concerto for Violin, Cello & Organ in C Major, RV 554a: II. — (3:52)
9. Concerto for Violin, Cello & Organ in C Major, RV 554a: III. Allegro (3:41)
10. Concerto for Viola d'amore & Lute in D Minor, RV 540: I. Allegro (5:39)
11. Concerto for Viola d'amore & Lute in D Minor, RV 540: II. Largo (3:34)
12. Concerto for Viola d'amore & Lute in D Minor, RV 540: III. Allegro (3:24)
13. Concerto for Strings in G Minor, RV 152: I. Allegro molto (2:03)
14. Concerto for Strings in G Minor, RV 152: II. Andante molto (2:06)
15. Concerto for Strings in G Minor, RV 152: III. Allegro molto (1:58)
16. Violin Concerto in A Major, RV 349: I. Allegro (4:48)
17. Violin Concerto in A Major, RV 349: II. Largo (3:36)
18. Violin Concerto in A Major, RV 349: III. Allegro ma poco (4:52)
Violinist Fabio Biondi has a singular capacity for finding something new and exciting in the music of Antonio Vivaldi whenever he considers it, a prodigious feat which he demonstrates with "Concerti per La Pietà", a new collection of works calling for a variety of demanding solo challenges, superbly met by Biondi and his colleagues from Europa Galante.
In his Venetian years the well-spring of Vivaldian inventiveness was fed by the composer working with one of the leading orchestras of early eighteenthcentury Europe: the one at the Ospedale della Pietà, the charitable institution which took in, cared for – and educated – girls who had been orphaned or abandoned. Within the ospedale were nurtured instrumental virtuosos – known today only by their “sporting nicknames”: Bettina della viola, Margherita del arpa doppia, Lucieta della tromba, etc. Calling variously for solo violin, two violins, lute, cello, organ, or viola d’amore (Biondi plays an unreconstructed 1758 Vinaccia instrument), the concertos recorded here are drawn from across the thirty years in which Vivaldi worked at the ospedale.
The freshness and personalness of Fabio Biondi’s musicmaking with Europa Galante has itself now been in evidence for a remarkable three decades and this new Album, conceived as a special 30thanniversary recording, won’t disappoint listeners ready to have their preconceptions challenged yet be stimulated by consummate musicianship.
In his Venetian years the well-spring of Vivaldian inventiveness was fed by the composer working with one of the leading orchestras of early eighteenthcentury Europe: the one at the Ospedale della Pietà, the charitable institution which took in, cared for – and educated – girls who had been orphaned or abandoned. Within the ospedale were nurtured instrumental virtuosos – known today only by their “sporting nicknames”: Bettina della viola, Margherita del arpa doppia, Lucieta della tromba, etc. Calling variously for solo violin, two violins, lute, cello, organ, or viola d’amore (Biondi plays an unreconstructed 1758 Vinaccia instrument), the concertos recorded here are drawn from across the thirty years in which Vivaldi worked at the ospedale.
The freshness and personalness of Fabio Biondi’s musicmaking with Europa Galante has itself now been in evidence for a remarkable three decades and this new Album, conceived as a special 30thanniversary recording, won’t disappoint listeners ready to have their preconceptions challenged yet be stimulated by consummate musicianship.
