Cristiano Porqueddu - Easy Studies for Guitar, Vol. 3 (2020)
Artist: Cristiano Porqueddu
Title: Easy Studies for Guitar, Vol. 3
Year Of Release: 2020
Label: Brilliant Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 150:31 min
Total Size: 234 MB
WebSite: Album Preview
Tracklist:Title: Easy Studies for Guitar, Vol. 3
Year Of Release: 2020
Label: Brilliant Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 150:31 min
Total Size: 234 MB
WebSite: Album Preview
01. Silencios: I. Lento, cantabile ed espressivo
02. Silencios: II. Allegro moderato
03. Silencios: III. Adagio meditative
04. Silencios: IV. Rapido, ben animato
05. Silencios: V. Andante malinconico
06. Silencios: VI. Allegretto con moto
07. Sette aforismi: I. Disteso
08. Sette aforismi: II. Leggero
09. Sette aforismi: III. Etereo
10. Sette aforismi: IV. Lento
11. Sette aforismi: V. Leggero
12. Sette aforismi: VI. Etereo
13. Sette aforismi: VII. Disteso
14. Etude for Chords No. 17
15. Etude for Chords No. 19
16. Etude for Chords No. 32
17. Etude No. 16
18. Etude No. 21
19. Etude No. 28
20. Etude No. 32
21. RH Etude No. 24
22. RH Etude No. 26
23. RH Etude No. 36
24. Brèves de pupitre: I. In modo exotico
25. Brèves de pupitre: II. In modo di keur moussa
26. Brèves de pupitre: III. Placido
27. Brèves de pupitre: IV. In modo blues
28. Brèves de pupitre: V. Mesto
29. Brèves de pupitre: VI. Con scioltezza, agile
30. Sei canzoni Ebraiche: I. Hinne' ma tov
31. Sei canzoni Ebraiche: II. Vihda'h Le 'Olam Teshev
32. Sei canzoni Ebraiche: III. Kesheharrabbì Shar
33. Sei canzoni Ebraiche: IV. RO'e' Vero'a'
34. Sei canzoni Ebraiche: V. Yafutzu Oyevecha
35. Sei canzoni Ebraiche: VI. Hevenu shalom
36. Suite No. 1: I - Preludium, II - Brudmarsch, III - Brudvals, IV - Trollmors vaggbisa, V - Postludium
37. Otto pezzi facili per chitarra: I. Studio I
38. Otto pezzi facili per chitarra: II. Novelletta I
39. Otto pezzi facili per chitarra: III. Studio II
40. Otto pezzi facili per chitarra: IV. Novelletta II
41. Otto pezzi facili per chitarra: V. Improvviso
42. Otto pezzi facili per chitarra: VI. Preludio
43. Otto pezzi facili per chitarra: VII. Arietta
44. Otto pezzi facili per chitarra: VIII. Raccontino
45. Gyermekdalok gitárra - Vol. 2: I. Pilike tánca
46. Gyermekdalok gitárra - Vol. 2: II. Táncdal
47. Gyermekdalok gitárra - Vol. 2: III. Bölcsodal
48. Gyermekdalok gitárra - Vol. 2: IV. A páratlan táncos
49. Gyermekdalok gitárra - Vol. 2: V. Dudások
50. Pièces caractéristiques: I. Prélude
51. Pièces caractéristiques: II. Invention
52. Pièces caractéristiques: III. Pastorale
53. Pièces caractéristiques: IV. Humoresque
54. Pièces caractéristiques: V. Valse
55. Pièces caractéristiques: VI. Cantilène
56. Pièces caractéristiques: VII. Scherzo
57. Pièces caractéristiques: VIII. Chant su soir
58. Pièces caractéristiques: IX. Pavane
59. Pièces caractéristiques: X. Tarantelle
60. 10 kleine Lieder ohne Worte: I. Zart bewegt
61. 10 kleine Lieder ohne Worte: II. Massiges Zeitmass
62. 10 kleine Lieder ohne Worte: III. Der Kuckuck
63. 10 kleine Lieder ohne Worte: IV. Leicht bewegt
64. 10 kleine Lieder ohne Worte: V. Kleine Ballade
65. 10 kleine Lieder ohne Worte: VI. Jagdlied
66. 10 kleine Lieder ohne Worte: VII. Ein kleines Stimmungsbildh
67. 10 kleine Lieder ohne Worte: VIII. Leicht bewegt
68. 10 kleine Lieder ohne Worte: IX. Kleine Studie
69. 10 kleine Lieder ohne Worte: X. Ein ganz kleiner Spass
70. 12 Leichte Stücke, Op. 15c: I. Vorspiel
71. 12 Leichte Stücke, Op. 15c: II. Menuett
72. 12 Leichte Stücke, Op. 15c: III. Zwiegespiel
73. 12 Leichte Stücke, Op. 15c: IV. Tanz
74. 12 Leichte Stücke, Op. 15c: V. Gesang zur Nacht
75. 12 Leichte Stücke, Op. 15c: VI. Alemannisches Lied mit Variation
76. 12 Leichte Stücke, Op. 15c: VII. Zwiegespiel
77. 12 Leichte Stücke, Op. 15c: VIII. Wie eine Mazurka
78. 12 Leichte Stücke, Op. 15c: IX. Wiegenlied
79. 12 Leichte Stücke, Op. 15c: X. Marsch
80. 12 Leichte Stücke, Op. 15c: XI. Lied in der Dämmerung
81. 12 Leichte Stücke, Op. 15c: XII. Langsamer Walzer
This double CD is the third and last volume of Easy Studies for Guitar. The aim of the series has been to collect original works for the guitar by 20th- and 21st-century composers that fulfil didactic functions as well as being entertaining to play and listen to. Many of the studies here are receiving their first recordings, and the pieces by Biberian, Cavallone and Franco are so far unpublished.
Music by the Belgian organist and composer Jean Absil (1893–1974) shows the influence of Wagner in the same way as his better-known compatriot Franck, and he absorbed the music of Milhaud and Schoenberg during his time in Paris. However, the Pièces Caractéristiques of 1964 capture a piece of sunshine no less than the folk- inspired Sei Canzoni Ebraiche by Cavallone or the Sette Aphorismi of Franco, even while certain movements exploit the more mysterious, nocturnal character of the guitar. The idea for Brèves de Pupitre sprang from Olivier Chassain’s work as a teacher, arising from his students’ basic technical needs or flaws – as well as his own.
Cristiano Porqueddu is a distinguished editor and composer as well as performer, and he has selected an especially attractive set of Ten Studies for Guitar from among the many unpublished works by Gilbert Biberian, a British composer/guitarist born in 1944. Perhaps the set’s most intrigiong rarity comes from the gifted Viennese composer Ferdinand Rebay, active in the early decades of the last century, and featured on a couple of previous Brilliant Classics albums; though himself a pianist rather a guitarist, he was encouraged to turn to the guitar by a fellow-professor and also by his guitar-playing niece; he eventually composed around 600 pieces for the instrument, including these Ten Little Songs without Words.
This is the 3rd volume of “Easy Studies for Guitar”, a successful concept compiled by master guitarist Cristiano Porqueddu.
This third volume of “Easy Studies for Guitar” continues to focus on lesser-known original compositions for the guitar of the 20th and 21st century that lend themselves to teaching purposes. The aim is to develop the awareness of musical styles and structures beyond the restrictions of Classical Music, in terms of harmony, rhythm and a wide range of timbres.
Included in this 2-CD set are works by Oscar Bellomo, Alfredo Franco, Gilbert Biberian, Oliver Chassain, Franco Cavellone, Ulf Ahnslund, Franco Margola, Iván Patachich, Jean Absil, Ferdinand Rebay, Anton Stingl.
Cristiano Porqueddu is one of today’s foremost guitarists. Critics call him “A reference point for a new generation of musicians”. His recent Carnegie Hall recital was a triumph: “he has the vision and fortitude to forge a new and substantial path by discovering, recording and performing great works that have been largely ignored” (Brooklyn Daily Eagle). His Brilliant classics discography is substantial and impressive and includes works by Barrios, Sor, Gilardino, and many others.
Music by the Belgian organist and composer Jean Absil (1893–1974) shows the influence of Wagner in the same way as his better-known compatriot Franck, and he absorbed the music of Milhaud and Schoenberg during his time in Paris. However, the Pièces Caractéristiques of 1964 capture a piece of sunshine no less than the folk- inspired Sei Canzoni Ebraiche by Cavallone or the Sette Aphorismi of Franco, even while certain movements exploit the more mysterious, nocturnal character of the guitar. The idea for Brèves de Pupitre sprang from Olivier Chassain’s work as a teacher, arising from his students’ basic technical needs or flaws – as well as his own.
Cristiano Porqueddu is a distinguished editor and composer as well as performer, and he has selected an especially attractive set of Ten Studies for Guitar from among the many unpublished works by Gilbert Biberian, a British composer/guitarist born in 1944. Perhaps the set’s most intrigiong rarity comes from the gifted Viennese composer Ferdinand Rebay, active in the early decades of the last century, and featured on a couple of previous Brilliant Classics albums; though himself a pianist rather a guitarist, he was encouraged to turn to the guitar by a fellow-professor and also by his guitar-playing niece; he eventually composed around 600 pieces for the instrument, including these Ten Little Songs without Words.
This is the 3rd volume of “Easy Studies for Guitar”, a successful concept compiled by master guitarist Cristiano Porqueddu.
This third volume of “Easy Studies for Guitar” continues to focus on lesser-known original compositions for the guitar of the 20th and 21st century that lend themselves to teaching purposes. The aim is to develop the awareness of musical styles and structures beyond the restrictions of Classical Music, in terms of harmony, rhythm and a wide range of timbres.
Included in this 2-CD set are works by Oscar Bellomo, Alfredo Franco, Gilbert Biberian, Oliver Chassain, Franco Cavellone, Ulf Ahnslund, Franco Margola, Iván Patachich, Jean Absil, Ferdinand Rebay, Anton Stingl.
Cristiano Porqueddu is one of today’s foremost guitarists. Critics call him “A reference point for a new generation of musicians”. His recent Carnegie Hall recital was a triumph: “he has the vision and fortitude to forge a new and substantial path by discovering, recording and performing great works that have been largely ignored” (Brooklyn Daily Eagle). His Brilliant classics discography is substantial and impressive and includes works by Barrios, Sor, Gilardino, and many others.
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