Sergio Mendes - In The Key of Joy (2020) [Hi-Res]

As he has throughout his musical life, Mendes thrives on collaboration on In the Key of Joy. The album brings together fellow Brazilian legends with modern-day hitmakers and young rising stars, bringing familiar voices and fresh life to a set of new original songs penned by Mendes and his collaborators. Guests on the album include Common, Hermeto Pascoal, Joe Pizzulo, Cali y El Dandee, Buddy, Sugar Joans, João Donato, Sheléa and Mendes’ wife and longtime singer, Gracinha Leporace.

“This album is all about joy and celebration,” Mendes says. “I’m very curious, and I love to work with different people from different cultures, different countries, different generations and different styles.”

To accompany the documentary’s wide-angle perspective on Mendes’ sweeping history, the Deluxe Edition of In the Key of Joy includes the soundtrack to the film, a career-spanning overview that encompasses the greatest moments from Mendes’ musical life. From the unforgettable Brasil ’66 classic “Mas Que Nada” to Burt Bacharach’s “The Look of Love,” which Mendes memorably performed on the 1968 Academy Awards telecast; collaborations with will.i.am and the dazzling, soulful “Never Gonna Let You Go,” the disc offers an essential primer on Mendes’ ability to place his indelible imprint on multiple styles of music across the decades.

While he’s never been interested in living in the past, the experience of making the documentary and the 60th anniversary of the bossa nova gave Mendes an excuse to look back and take in the scope of his accomplishments. “I’ve been very blessed to have had such a long career,” he says sincerely. “There’s an English word that I love and that I use a lot, which is ‘serendipity.’ I’ve been fortunate to have so many beautiful encounters in my life.”

In the Key of Joy provided the opportunity to make some new encounters as well as reunite with old friends. The album was recorded between Mendes’ native Brazil and his adopted home of California, one more way in which he bridges past and present in an eclectic harmony. “There are some sounds that you can only get down in Brazil, that amazing energy, that massive rhythmical wave that you hear underneath everything,” he says. “Then I have all of my wonderful partners and such amazing musicians in Los Angeles, along with all of my special guests. It’s the best of both worlds.”

The lilting Brazilian pop of “Sabor Do Rio” opens the album with the instantly recognizable Mendes sound, the lush and sunny blend of voices and horns harking back to Brasil ’66 while Common’s welcoming rap invites in contemporary listeners. Like much of the album, the song was co-written by Mendes with producer and multi-instrumentalist Mika Mutti and woodwind player/arranger Scott Mayo. The propulsive dance-floor pulse of “Bora Lá” is a buoyant backdrop for the vocal pairing of Brazilian samba star Rogê and Mendes’ lifelong muse, Gracinha Leporace.

“It’s magical,” Mendes says of working closely with his wife. “I feel so lucky to have her in my life – and beside that, what a great voice.”

The Colombian pop duo of brothers Cali y El Dandee take the spotlight on the sultry “La Noche Entera,” co-written by the pair along with Mendes and the great Brazilian musician/producer Carlinhos Brown. The angelic pipes of The Voice alum Sugar Joans aptly grace “Samba In Heaven;” the singer is a second-generation collaborator with Mendes, her father being Joe Pizzulo, who so memorably sang the lead on “Never Gonna Let You Go.” Pizzulo himself rejoins Mendes for “Love Came Between Us,” which evokes the silky sound of that classic hit.

Bossa pianist João Donato co-wrote and performs on the percolating “Muganga.” In the liner notes, Mendes refers to Donato as one of his “Three Magi,” along with Hermeto Pascoal and Guinga. The former contributes the party-like atmosphere of “This Is It (É Isso),” also performing an emphatic Portuguese rap. Guinga, meanwhile, wrote and plays guitar on the album’s mesmerizing final cut, “Tangara,” which conjures images of sun-dappled beaches and vibrant forests chiming with birdsong.

The upbeat title track features up-and-coming Compton rapper Buddy, who also recently worked with keyboardist Robert Glasper. Singer-songwriter Sheléa dances nimbly around the acoustic guitar lines of Chico Brown on “Catch the Wave” and takes an achingly yearning turn on the ballad “Times Goes By.” Mutti penned the delightfully cheery “Romance in Copacabana,” with its whistling melody and a spotlight for the bandleader’s fleet jazz piano skills.

Revealing Mendes’ inability to stand still as music evolved, In the Key of Joy is stunning in the range and beauty of its spectrum of styles and collaborations. “I like to get out of my comfort zone and try things that I’ve never done before,” Mendes concludes. “I feel a great excitement walking into the studio with different people and discovering what happens. That’s what I do. I love the musical adventure that I’ve been on for more than 60 years.”

Sergio Mendes, piano
Leo Costa, drums
Andre de Santana, bass
Paul Jackson Jr., guitar
Mika Mutti, acoustic guitar, synthesizer, rhythm design, percussion