Keith Jarrett - Eyes Of The Heart (1979 Reissue) (2015) Hi-Res
Artist: Keith Jarrett
Title: Eyes Of The Heart
Year Of Release: 1979 (2015)
Label: ECM
Genre: Jazz
Quality: FLAC 24bit-192kHz / FLAC (tracks) / Mp3 320 kbps
Total Time: 51:01
Total Size: 2 Gb / 313 Mb / 130 Mb
WebSite: Album Preview
Tracklist: Title: Eyes Of The Heart
Year Of Release: 1979 (2015)
Label: ECM
Genre: Jazz
Quality: FLAC 24bit-192kHz / FLAC (tracks) / Mp3 320 kbps
Total Time: 51:01
Total Size: 2 Gb / 313 Mb / 130 Mb
WebSite: Album Preview
1. Eyes Of The Heart (Part One) 17:06
2. Eyes Of The Heart (Part Two) 15:42
3. Encore (a-b-c) 18:01
Personnel:
Piano, Soprano Saxophone, Drums [Osi], Tambourine – Keith Jarrett
Bass – Charlie Haden
Drums, Percussion – Paul Motian
Tenor Saxophone, Tambourine, Maracas – Dewey Redman
With Eyes Of The Heart, musician’s musician Keith Jarrett landed one of his last American Quartet flights. This live performance, recorded just one month after The Survivors’ Suite, is a journey of different stripes. Jarrett whoops with delight as he opens Part One amid a congregation of drums. The kalimba-like bass of Charlie Haden hops from one foot to another as Jarrett looses a soprano sax into the prevailing winds. Only later does the expected piano shine through his fingertips. Writ somehow large with modest articulations, his right hand brings gradual insistence until the melody and the moment become one, each frame sped into a moving image. Part Two begins with more lovely pianism, this time with grittier chording and the added sheen of Paul Motian’s kit work. An insistent vamp unravels Dewey Redman’s dazzling tenor, and cushions the applause that follow. The tripartite encore is an uplifting, jaunty exposition. Some fantastic drumming and elegant exchanges between soprano and tenor dim themselves silent before the altar of Jarrett’s concluding piano solo.
Just when I think I’ve encountered the extent of Jarrett’s immeasurable talents, he surprises me with an album like this. It’s always a pleasure to hear his peripheral instrumental work, for his talents at the keyboard transfer effortlessly to reed by way of our grateful hearts. Perhaps the title is more than just a metaphor.
Just when I think I’ve encountered the extent of Jarrett’s immeasurable talents, he surprises me with an album like this. It’s always a pleasure to hear his peripheral instrumental work, for his talents at the keyboard transfer effortlessly to reed by way of our grateful hearts. Perhaps the title is more than just a metaphor.