Moscow Synodal Choir - Hilarion Alfeyev: De profundis (2015) [Hi-Res]

Tracklist

01. Stabat Mater: I. Stabat Mater
02. Stabat Mater: II. Virgo virginum
03. Stabat Mater: III. Sancta Mater
04. Stabat Mater: IV. Paradisi gloria
05. Concerto grosso: I. Adagio molto-Allegro
06. Concerto grosso: II. Adagio
07. Concerto grosso: III. Finale
08. Fugue on the B-A-C-H Motif
09. Canciones de la muerte: I. Candil
10. Canciones de la muerte: II. Canción de la muerte pequeña
11. Canciones de la muerte: III. Falseta
12. Canciones de la muerte: IV. Gasela de la muerte oscura
13. De profundis: I. De profundis
14. De profundis: II. Levavi oculos meos in montes
15. De profundis: III. Super flumina Babylonis
16. De profundis: IV. Laudate nomen Domini
17. De profundis: V. Alleluia

DE PROFUNDIS Compositions for orchestra and choir Metropolitan Hilarion Alfeyev is one of the most widely performed of all living Russian composers. Each of his new compositions constitutes a milestone in contemporary musical history. His ability to imbue his music with profound religious content, to unite diverse cultures and styles, to invent new ways of musical expression while remaining faithful to the centuries-old classical tradition, and to utter most profound themes using a simple and comprehensible musical language, singles him out among present-day composers.

His most widely performed work, the St Matthew Passion (2006), has received worldwide recognition. Following its premiere in the Grand Hall of the Moscow Conservatory in March 2007, it has been performed more than seventy times in different countries by the most distinguished soloists, choirs and orchestras. Invariably it receives standing ovations from audiences at each concert.

This SACD features five works by Metropolitan Hilarion that were produced over a thirty-year period and performed by the excellent Russian National Orchestra. As the first Russian orchestra to ever win a Grammy award, the orchestra demonstrates a superior performance in this recording.

As The Moscow Times once positioned it, “RNO played with a power, beauty and finesse currently unmatched by any other Moscow orchestra”.

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