Dennis Chambers - Outbreak (2002)
Artist: Dennis Chambers
Title: Outbreak
Year Of Release: 2002
Label: Esc Records
Genre: Jazz-Funk / Fusion
Quality: FLAC (image + .cue, log, artwork)
Total Time: 57:20 min
Total Size: 395 MB
WebSite: Album Preview
Tracklist:Title: Outbreak
Year Of Release: 2002
Label: Esc Records
Genre: Jazz-Funk / Fusion
Quality: FLAC (image + .cue, log, artwork)
Total Time: 57:20 min
Total Size: 395 MB
WebSite: Album Preview
1. Roll Call [05:21]
2. Otay [07:03]
3. Groovus Interruptus [05:19]
4. Paris On Mine [06:08]
5. In Time [06:08]
6. Plan B [04:31]
7. Outbreak [10:59]
8. Baltimore, D.C. [05:46]
9. Talkin Loud And Sayin Nothin [06:00]
Band Members:
Will Lee - bass guitar
Dennis Chambers - drums
Michael Davis - trombone
Rodney "Skeet" Curtis
Bob Malach - tenor saxophone, bass saxophone
Jim Beard - keyboards
Nick Moroch - guitar
Jim Hynes - trumpet
Arto Tuncboyaciyan - shaker
Drummer Dennis Chambers is a first-call session ace who is comfortable within a variety of settings and/or genres. He has also evolved into one of the most admired drummers on the globe due to his high-powered polyrhythmic funk beats and supercharged sense of swing. In short, he's a dynamo! With his second solo release, he enlists his former boss, guitarist John Scofield, amid jazz superstars such as brothers Michael (sax) and Randy (trumpet) Brecker among others. Here, Chambers drives it all home via his now infamous attack, consisting of complexly woven tom fills and snappy, funk-drenched rhythms. Much of the credit should be directed towards arranger/producer/keyboardist Jim Beard, who once again demonstrates his prowess for achieving the desired effects. On the piece titled "Otay," fusion bassist extraordinaire Gary Willis leads the way via his impossibly fast lines in concert with Scofield's sinewy plucking and Chambers' sweeping funk pulses. Some of these works are marked by the Brecker Brothers' chirpy unison choruses and the ensemble's morphing of gospel, fusion, and jazz-based grooves. Through it all, Chambers' presence is undeniably felt, while this outing also benefits from strong material and the soloists' zestful endeavors. -- Glenn Astarita