Skeletons - Smile (2010)
Artist: Skeletons
Title: Smile
Year Of Release: 2010
Label: Impossible Ark Records
Genre: Funk / Afrobeat / Jazz
Quality: FLAC (tracks + .cue)
Total Time: 45:38 min
Total Size: 279 MB
WebSite: Album Preview
Tracklist:Title: Smile
Year Of Release: 2010
Label: Impossible Ark Records
Genre: Funk / Afrobeat / Jazz
Quality: FLAC (tracks + .cue)
Total Time: 45:38 min
Total Size: 279 MB
WebSite: Album Preview
01. Positive Force
02. Marathon Man
03. Mr Mystery
04. 50 Degrees
05. Gravel
06. Firesticks
07. Over The Bridge
08. Skeletons
09. Guadelupe
10. Mulatu
11. Blood
12. Adam And Eve (feat. Alice Russell)
Personnel:
Alice Russell (vocals);
Benedic Lamdin (guitar);
Mark Hanslip (flute, tenor saxophone);
Jonny Spall (saxophone);
Fulvio Sigurta (trumpet, flugelhorn);
Trevor Mires (bass trumpet);
Ross Stanley (organ);
Graham Fox (drums);
Will Fry (percussion).
Benedic Lamdin is a musician, producer and engineer from London, UK. He has produced a string of LP's as Nostalgia 77 for Tru Thoughts Recordings (UK), he also produces all the releases for his own label, Impossible Ark In addition, he has worked with Elizabeth Shepherd, Alice Russell, Keith & Julie Tippett, to name a few. This time though he has summoned a new style of work with a heavily African influenced record: inspired by Fela Kuti's minor-key Afrobeat moves, Mulatu Astatke's Ethio-groove and what sounds like some vaguely Afro-jazzy Italian sound library joint.
'Some of the music here started life as commissions for a library music company, pastiches and forgeries paid for by the current vogue for a certain style of African jazz. Once I'd done a few though I couldn't stop, it was my default preoccupation, something for me once I'd finished working on other people's albums. It was relaxation, something that didn't matter whether it worked or not. The whole LP was made like that, done in the time between recording jobs.
Smile was almost entirely written by Lamdin, whilst actually being played by various musicians as they passed through. The result is an incredible musical collage that has taken on its own identity.
'Some of the music here started life as commissions for a library music company, pastiches and forgeries paid for by the current vogue for a certain style of African jazz. Once I'd done a few though I couldn't stop, it was my default preoccupation, something for me once I'd finished working on other people's albums. It was relaxation, something that didn't matter whether it worked or not. The whole LP was made like that, done in the time between recording jobs.
Smile was almost entirely written by Lamdin, whilst actually being played by various musicians as they passed through. The result is an incredible musical collage that has taken on its own identity.