Frank Beermann - Meyerbeer: Vasco de Gama (2014)

  • 21 Apr, 17:02
  • change text size:

Artist:
Title: Meyerbeer: Vasco de Gama
Year Of Release: 2014
Label: CPO
Genre: Classical
Quality: FLAC (tracks)
Total Time: 254:51 min
Total Size: 1,2 GB
WebSite:

Frank Beermann - Meyerbeer: Vasco de Gama (2014)

Tracklist:

CD1:

01. Overture
02. Act I: Scene and Romance: Anna, qu'entends-je (Ines)
03. Act I: Scene, Trio and Recitative: Mon pere, par votre ordre (Ines, Don Diego, Don Pedro)
04. Act I: Ensemble Piece and Finale: Dieu que le monde revere (Don Pedro, Don Diego, The Inquisitor, Chorus)
05. Act I: J'ai vu, nobles seigneurs (Vasco, Don Alvar, The Inquisitor)
06. Act I: Un mot encore (Vasco, The Inquisitor, Don Diego, Don Pedro, Chorus)
07. Act I: Esclaves, approchez! (Don Pedro, Don Diego, Nelusko, Selika, Don Alvar)
08. Act I: Mais parle donc (Vasco, Selika, Nelusko, Don Pedro)
09. Act I: Il faut avec ardeur seconder sa vaillance! (Don Alvar, Don Diego, Chorus, The Inquisitor)
10. Act I: Le conseil souverain (Don Pedro, Vasco, The Inquisitor, Chorus, Don Diego, Don Alvar)
11. Act II: Entr'acte and Scene: Vogue, mon beau navire (Vasco, Selika)
12. Act II: Slumber Aria: Sur mes genoux, fils du soleil (Selika, Vasco)
13. Act II: Scene and Air: Nelusko! (Selika, Nelusko, Vasco)

CD2:

01. Act II: Recitative and Duet: Le maitre a-t-il faim: (Selika, Vasco)
02. Act II: Finale (Septett): On nous l'avait bien dit! (Don Pedro, Vasco, Ines, Selika, Anna, Don Alvar, Nelusko)
03. Act II: Marche conclu! (Don Pedro, Selika, Anna, Don Alvar, Nelusko, Vasco, Ines)
04. Act III: Entr'acte
05. Act III: Le rapide et leger navire (Companions of Ines)
06. Act III: Quartet: Debout matelots (Sailors)
07. Act III: Prayer of the Sailors: O grand Saint Dominique (Sailors, Ines, Anna, Companions of Ines)
08. Act III: Call to the Morning Meal and Drinking Round: Il faut du vin au matelot (A Sailor, Sailors, Ines)
09. Act III: Scene and Recitative: Ah! c'est vous Don Alvar: (Don Pedro, Don Alvar, Sailors, Nelusko)
10. Act III: Hola! matelots, le vent change! (Nelusko, Don Alvar, Don Pedro, Chorus)
11. Act III: Ballade: Tralalala! Ecoutez! (Nelusko, Sailors, Don Pedro)
12. Act III: Scene and Duet: Un navire, portant pavillon portugais (A Sailor, Nelusko, Don Alvar, Vasco, Don Pedro, Sailors)
13. Act III: Recitative, Septet, and Final Scene: Au mat du vaisseau qu'on l'attache (Don Pedro, Vasco, Selika, Ines, Nelusko, Chorus,
14. Act III: Scene: Qu'on l'entraine a l'instant au fond de ce vaisseau! (Don Pedro, Don Alvar, Ines, Selika, Nelusko)
15. Act III: Duet: Ah! s'il ne fallait que donner ma vie (Nelusko, Selika, Don Pedro)
16. Act III: A moi, fils de Shiva! (Nelusko, Indians)

CD3:

01. Act IV: Entre'acte and Indian March
02. Act IV: Nous jurons par Brama, par Vishnou, par Shiva (The Grand Priest of Brahma, Indians, Nelusko, Selika, A Priest, Sacrificers
03. Act IV: Aria: O ciel! que vois-je: (Vasco, Indians)
04. Act IV: Arretez! (Selika, Vasco, Nelusko, The Grand Priest of Brahma, Indians)
05. Act IV: Cavatina: L'avoir tant adoree! (Nelusko, Indians, Selika, Vasco, The Grand Priest of Brahma)
06. Act IV: Finale: Brahma! (The Grand Priest of Brahma, Indians, Selika, Vasco)
07. Act IV: Duet: L'hymen que ton salut me force de souscrire (Selika, Vasco, The Grand Priest of Brahma, Indians)
08. Act IV: Finale: Triple divinite, redoutable au parjure (The Grand Priest of Brahma, Indians, Selika, Ines, Portuguese Women)

CD4:

01. Act V: Entr'acte, Recitative and Aria: La-bas, sous l'arbre noir (Ines)
02. Act V: Aria of Ines: Fleurs nouvelles, arbres nouveaux (Ines)
03. Act V: Scene: Ne m'abuse-je pas: (Ines, Vasco, Selika)
04. Act V: Duet: Avant que ma vengeance ordonne ton supplice (Selika, Ines, Nelusko)
05. Act V: Scene and Aria of Selika: D'ici je vois la mer immense et sans limite (Selika, Chorus)
06. Act V: Recitave and Aria of Selika: Vasco! te voila donc! (Selika)
07. Act V: C'est ici le sejour (Chorus of the Breezes, Selika)
08. Act V: Final Scene

Completed by Meyerbeer four months prior to his death he called the opera Vasco de Gama, but it came to be known to posterity as L'Africaine (The African Woman). Now how did this happen? Meyerbeer had been working on the opera since 1837, and L'Africaine was its original title. Eugène Scribe's libretto told the story of an African princess who is unhappily in love with a Portuguese naval officer. After some initial enthusiasm Meyerbeer soon had his doubts about the subject. Years of revision and rejection followed. It was not until 1849, following Le Prophet, did he resumed his work on it. The Portuguese seafarer now became the historical explorer Vasco da Gama. Since he had discovered the sea route to India, the setting had to be transferred from Africa to India. As a result, Meyerbeer changed the opera's title to Vasco de Gama. This edition by Jügen Schläder is based on the last published and unpublished material left by Meyerbeer on his death. This is the first time this version has been release on CD.


  • olga1001
  •  17:53
  • Пользователь offline
    • Нравится
    • 0
Booklet is on Chandos