Schola Heidelberg - Parole e testi (2020)
Artist: Schola Heidelberg
Title: Parole e testi
Year Of Release: 2020
Label: Divox
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 68:31 min
Total Size: 196 MB
WebSite: Album Preview
Title: Parole e testi
Year Of Release: 2020
Label: Divox
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 68:31 min
Total Size: 196 MB
WebSite: Album Preview
Tracklist:
01. L'alibi della parola: I. Pulsar
02. L'alibi della parola: II. Quasar
03. L'alibi della parola: III. Futuro remoto
04. L'alibi della parola: IV. Vasi parlanti
05. Polifonica - Monodia - Ritmica: I. Polifonica
06. Polifonica - Monodia - Ritmica: II. Monodia
07. Polifonica - Monodia - Ritmica: III. Ritmica
08. Sarà dolce tacere
09. 3 Canti senza pietre: No. 1, Mormorando omaggio a Michel Serres
10. 3 Canti senza pietre: No. 2, Liberamente accompagnando con le pause
11. 3 Canti senza pietre: No. 3, Il silenzio è un morto con fessure
12. Polifonica - Monodia - Ritmica (Scherchen Edition): I. Polifonica [Live]
13. Polifonica - Monodia - Ritmica (Scherchen Edition): II. Monodia [Live]
14. Polifonica - Monodia - Ritmica (Scherchen Edition): III. Ritmica [Live]
Experimental vocal and instrumental compositions from the second half of the previous century, closely connected in text and thought with Italian poetry, convey an impression of the philosophy and compositional methods of the two musicians Luigi Nono (1924-1990) and Salvatore Sciarrino (b. 1947), which were similar in several aspects. The title of the CD, Parole e Testi, is thus meant quite literally. The singers of SCHOLA HEIDELBERG under Walter Nußbaum accomplished performers of new vocal music sing Nonos chant Sarà dolce tacere on a text by Cesare Pavese (1960) as well as Sciarrinos ensemble pieces Lalibi della parola (1994) and Tre canti senza pietre (1999) both setting verse from various sources. Nonos early compositional art, which culminated in Polifonica Monodia Ritmica for six instruments and percussion (1951), is performed by the ensemble aisthesis from Heidelberg in 2005 in the reconstructed, unabridged version which Nono originally created (presented on CD for the first time here). The abridged version, in which the work had its world premiere at the Darmstadt Summer Courses for New Music under the baton of Hermann Scherchen in 1951, completes the CD as a bonus track.