Sang Woo Kang - Mozart: Fugues, Rondos & Fantasias (2014) [Hi-Res]

Tracklist

01. Fragment of a Fugue in G Minor, K. 401
02. Fragment of a Fugue in E-Flat Major, K. 153
03. Prelude and Fugue in C Major, K. 394
04. Fragment of a Fugue in G Minor, K. 154
05. Funeral March in C Minor, K. 453a "Marche funebre del Sig. Maestro Contrapunto"
06. Rondo in D Major, K. 485
07. Rondo in A Minor, K. 511
08. Gigue in G Major, K. 574 "Leipziger Gigue"
09. Suite in C Major, K. 399: I. Overture
10. Suite in C Major, K. 399: II. Allemande
11. Suite in C Major, K. 399: III. Courante
12. Suite in C Major, K. 399: IV. Fragment of a Sarabande
13. Fragment of Fantasia in C Minor, K. 396
14. Fragment of a Fugue in D Major, K. 73w
15. Fragment of a Fugue in G Major, K. Anh. 41
16. Fragment of a Fugue in F Major, K. 375h
17. Fragment of a Fugue in F Major, K. Anh. 33
18. Fragment of a Fugue in C Minor, K. Anh. 39
19. 2 Keyboard Fugues, K. 154a: Fugue in D Major
20. 2 Keyboard Fugues, K. 154a: Fugue in G Major
21. 6 Fragments of a Fugue in E Minor, K. deest: No. 1
22. 6 Fragments of a Fugue in E Minor, K. deest: No. 2
23. 6 Fragments of a Fugue in E Minor, K. deest: No. 3
24. 6 Fragments of a Fugue in E Minor, K. deest: No. 4
25. 6 Fragments of a Fugue in E Minor, K. deest: No. 5
26. 6 Fragments of a Fugue in E Minor, K. deest: No. 6
27. 2 Fragments of Fugues in E-Flat Major, K. deest: No. 1
28. 2 Fragments of Fugues in E-Flat Major, K. deest: No. 2
29. Fragment of a Fugue in D Minor, K. deest
30. Fragment of a Fugue in C Minor, K. Anh. 39a
31. Fragment of Fantasia in F Minor, K. Anh. 32


Mozart married Constanze Weber in 1782, and it is thanks to her diligent curation of ‘these marvellous relics’ that we have these rarely heard fragments including fugues which reveal the influence of Bach and demonstrate Mozart’s agility with sophisticated contrapuntal techniques. The more substantial Rondos have gained popularity with their memorable themes and musical depth, while forays into Baroque style can be heard in the unfinished Suite. These, the improvisational Fantasias and a mocking parody of a Funeral March all highlight neglected facets of Mozart’s oeuvre.

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