Brainkiller - Colourless Green Superheroes (2013)

  • 03 Jun, 09:11
  • change text size:

Artist:
Title: Colourless Green Superheroes
Year Of Release: 2013
Label: RareNoise Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 45:54 min
Total Size: 257 MB
WebSite:

Tracklist:

01. The Vindicator Returns [3:25]
02. Scribble [2:59]
03. Empty Words [3:50]
04. Top of the World [5:11]
05. Orange Grey Shades [3:50]
06. A Piedi Verso II Sole [3:54]
07. Plates [2:53]
08. Noodlin [4:03]
09. Labratorio [3:33]
10. Secret Mission [2:51]
11. Otaku Goes To A Rave [4:23]
12. Viv [1:41]
13. To Be Continued [3:42]

Personnel:

Jacob Koller - piano, fender rhodes, keys
Brian Allen - trombone, effects
Hernan Hecht - drums


American pianist / keyboard player Jacob Koller, American trombonist Brian Allen and Argentinean-born drummer Hernan Hecht return as Brainkiller (in origin a pun on the combined names of Brian Allen and Jacob Koller) to release Colourless Green Superheroes , their second full-length album on RareNoiseRecords, after The Infiltration , released in 2010. Colourless Green Superheroes (The title of the album itself is a pun on Noam Chomsky s grammatically sound but meaningless statement Colourless Green Ideas Sleep Furiously ) continues and elaborates themes only sketched, hinted at by their previous release: We witness again beautifully tight compositions ( they never deviate from a damn good tune said Jazzwise), which again draw inspiration from multiple genres (free jazz, early 70 s jazz-rock, world-jazz, contemporary classical music, concrete music) and influences, but have here been expanded and enriched, at times by the addition of layers of electronica to achieve a form of electro-acoustic trip-hop (witness the presence of Japanese electronica goddess Coppe on the track Empty Words ) and at times by the three musicians flirting with entirely new genres (such as the disco-dance beat and musical themes that pervade the song Labratorio ). The album feels like a journey into a musical Imaginarium of Dr Parnassus, each of the thirteen compositions a fully formed world onto itself, yet smoothly flowing into the next one, all supported by an all-encompassing sense of humour and wonderment for the beauty of music.