Danish String Quartet - Last Leaf (2017) [CD-Rip]
Artist: Danish String Quartet
Title: Last Leaf
Year Of Release: 2017
Label: ECM New Series
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 48:14 min
Total Size: 212 MB
WebSite: Album Preview
Tracklist:Title: Last Leaf
Year Of Release: 2017
Label: ECM New Series
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 48:14 min
Total Size: 212 MB
WebSite: Album Preview
01] Traditional: Despair not, o heart
02] Fredrik Schoyen Sjolin: Shore
03] Swedish traditional: Polska from Dorotea
04] Gjermund Haugen: Tjonneblomen
05] Danish traditional: Minuet No.60
06] Danish traditional: ? Romeser
07] Fredrik Schoyen Sjolin: Intermezzo
08] Rune Tonsgaard Sorensen: Shine you no more
09] Danish traditional: Dromte mig en drom
10] Faroese traditional: St?delil
11] Fredrik Schoyen Sjolin: Naja's Waltz
12] Traditional from the Shetland Islands: Unst Boat Song
13] Eva S?ther: Fastan
14] Danish traditional: Hur var du i aftes sa sildig
15] Danish traditional: The Dromer
16] Traditional: Now found is the fairest of roses
This recording by the Danish String Quartet of Nordic folk music from as far south as the Shetland Islands has a lot going for it. One is the usual exemplary sound from ECM, for one thing, captured at a Danish museum that's a fine stand-in for an interior space where folk music would reside. For another, there's a feel for the smaller details of the various instrumental traditions on the part of the musicians, some of whom have played in folk bands themselves: violinist Rune Tonsgaard Sørensen and cellist Fredrik Schøyen Sjölin contribute convincing original tunes themselves, and Sørensen changes the texture up with harmonium and glockenspiel effectively. The program is intelligently put together, with a little medley of joined traditional (or traditional-style) tunes giving way to more elaborate arrangements, all by the quartet members themselves. Sample one of the more contrapuntal pieces, like Drømte mig en drøm. And ECM makes room within its usual set of arty, black-and-white photographs for a highly engaging set of notes about the tunes. The one thing that remains murky is why this music should be played by a string quartet, a medium that hardly fits it musically or historically. The players offer this: "Is it meaningful to explore what happens, when the 'function' of a melody is tweaked? Can a funeral chorale be used to celebrate Christmas? Can a rustic folk dance conjure up feelings of melancholy and contemplation? Is a traditional Norse boat song supposed to be sung by the men at oars or the women at home? And what happens when a classical string quartet travels yet again through the world of Nordic folk music?" The logical thread is not quite clear, but there's much to enjoy on the album. -- James Manheim