Deborah J. Carter - Round Moonlight (2001)
Artist: Deborah J. Carter
Title: Round Moonlight
Year Of Release: 2001
Label: Timeless Records
Genre: Jazz / Vocal Jazz
Quality: Mp3 / 320kbps
Total Time: 69:42 min
Total Size: 151 MB
WebSite: Album Preview
TracklistTitle: Round Moonlight
Year Of Release: 2001
Label: Timeless Records
Genre: Jazz / Vocal Jazz
Quality: Mp3 / 320kbps
Total Time: 69:42 min
Total Size: 151 MB
WebSite: Album Preview
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01. Moonlight
02. Round Moonlight
03. Monks' New Tune
04. Moonflower
05. The Lamp Is Low (My Tribute to Carmen Lundy)
06. Feels Like Summer (Summer Nocturne)
07. Autumn Nocturne
08. Wintertime
09. Sister Moon
10. La Luna (Moonriver) (Moon River)
11. Moondance
12. Where Is Love / Body and Soul
13. The Late, Late Show
14. Lovers' Hushaby
Deborah J. Carter is a nomad whose international singing career lies beyond her native North America. Bluesy inflections, jazzy phrasing, and a mid-range earthy tone keep her busy in vocal jazz circuits from Spain into Central Europe.
Carter's interpretive framework in her second release is the trio format, although various guest musicians fortify the recording. The welcoming sense of intimacy afforded by Carter's singing is never lost, nonetheless. Her tribute to Carmen Lundy in "The Lamp Is Low" illustrates the latter point rather well. After a straight up piano-vocal duo head, the trio cascades into action for Carter's bouncy scatting and ensuing rhythmic happy-go-lucky choruses. Indeed, Carter's style and delivery could very well be compared with Lundy's. Both, however, remain distinctive and enjoyable entities in spite of their commonalities.
"The Late Late Show" is a swinging boppish vehicle for the trio's musical versatility. Although remaining within mainstream jazz territories, the musicians also outsorce Brazilian motifs. 'Round Moonlight is a rather generous recording in length, tempos, hints and steady jazz vocals from a woman in her vocal and intellectual prime. Her arranging and writing is as fine as the players that accompany her, who know how to support a vocalist in enriched and unobtrusive ways. - Javier Antonio Quiñones Ortiz
Carter's interpretive framework in her second release is the trio format, although various guest musicians fortify the recording. The welcoming sense of intimacy afforded by Carter's singing is never lost, nonetheless. Her tribute to Carmen Lundy in "The Lamp Is Low" illustrates the latter point rather well. After a straight up piano-vocal duo head, the trio cascades into action for Carter's bouncy scatting and ensuing rhythmic happy-go-lucky choruses. Indeed, Carter's style and delivery could very well be compared with Lundy's. Both, however, remain distinctive and enjoyable entities in spite of their commonalities.
"The Late Late Show" is a swinging boppish vehicle for the trio's musical versatility. Although remaining within mainstream jazz territories, the musicians also outsorce Brazilian motifs. 'Round Moonlight is a rather generous recording in length, tempos, hints and steady jazz vocals from a woman in her vocal and intellectual prime. Her arranging and writing is as fine as the players that accompany her, who know how to support a vocalist in enriched and unobtrusive ways. - Javier Antonio Quiñones Ortiz
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