Helene Schneiderman, Robin Adams, Stefan Margita, Vera-Lotte Böcker - Henze: Der Prinz von Homburg (2020) [Hi-Res]

Artist: Helene Schneiderman, Robin Adams, Stefan Margita, Vera-Lotte Böcker, Staatsorchester Stuttgart, Cornelius Meister
Title: Henze: Der Prinz von Homburg
Year Of Release: 2020
Label: CapriccioNR
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz
Total Time: 01:47:53
Total Size: 486 mb / 1.01 gb
WebSite: Album Preview
Title: Henze: Der Prinz von Homburg
Year Of Release: 2020
Label: CapriccioNR
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz
Total Time: 01:47:53
Total Size: 486 mb / 1.01 gb
WebSite: Album Preview
![Helene Schneiderman, Robin Adams, Stefan Margita, Vera-Lotte Böcker - Henze: Der Prinz von Homburg (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-06/1591323393_henze-der-prinz-von-homburg-2020-back.jpg)
Tracklist
CD1
01. Der Prinz von Homburg, Act I Scene 1: Da nun die Stunde schlägt
02. Der Prinz von Homburg, Act I Scene 2: Ihr Herrn, der Marschall kennt
03. Der Prinz von Homburg, Act I Scene 3: Ein schöner Tag, so wahr ich Leben atme
04. Der Prinz von Homburg, Act I Scene 3: So ist es wahr, das wir den Sieg
05. Der Prinz von Homburg, Act I Scene 3: Wer immer auch die Reiterei geführt
CD2
01. Der Prinz von Homburg, Act II Scene 1: Freund Heinrich! Sei willkommen
02. Der Prinz von Homburg, Act II Scene 2: Oh Gott! Ich sehe das Grab
03. Der Prinz von Homburg, Act II Scene 3: Prinz Homburg, gnädige Frau
04. Der Prinz von Homburg, Act II Scene 4: Mein edler Oheim
05. Der Prinz von Homburg, Act II Scene 5: Das Leben nennt der Derwisch
06. Der Prinz von Homburg, Act III Scene 1: Rebellion, mein Kurfürst
07. Der Prinz von Homburg, Act III Scene 2: Nun, oh Unsterblichkeit
“But tell me, who could have written a better libretto for me than my friend Heinrich von Kleist? When I was searching for a language in combination with which my music could produce something new, a diction targeted by my music, I hit on the “Prince”. […] The tension between the life of the individual and raison d’état, issues as to the disregard of law and order, man’s quivering before the might of ruling authorities and the courage to resist it, all of that might happen today or might have occurred one or two thousand years ago. […] Many of my endeavours in works of recent years appear through this drama to have reached a new point, i.e. a new polyphony and its concomitant, freely chosen rigour.” – Hans-Werner Henze