Keith Jarrett - At The Blue Note: The Complete Recordings (1994) [6 CD Box Set]

12 Jun, 22:46
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Artist: Keith Jarrett
Title: At The Blue Note: The Complete Recordings
Year Of Release: 1994
Label: ECM Records ‎[ECM 1575-80]
Genre: Jazz
Quality: FLAC (*tracks + .cue,log)
Total Time: 07:03:39
Total Size: 2,4 GB (+3%rec.)
WebSite: Album Preview

The six-CD box set Keith Jarrett at the Blue Note fully documents three nights (six complete sets from June 3-5, 1994) by his trio with bassist Gary Peacock and drummer Jack DeJohnette. Never mind that this same group has already had ten separate releases since 1983; this box is still well worth getting. The repertoire emphasizes (but is not exclusively) standards, with such songs as "In Your Own Sweet Way," "Now's the Time," "Oleo," "Days of Wine and Roses," and "My Romance" given colorful and at times surprising explorations.
Some of the selections are quite lengthy (including a 26-and-a-half-minute version of "Autumn Leaves") and Jarrett's occasional originals are quite welcome; his 28-and-a-half-minute "Desert Sun" reminds one of the pianist's fully improvised Solo Concerts of the 1970s. Throughout the three nights at the Blue Note, the interplay among the musicians is consistently outstanding. Those listeners concerned about Jarrett's tendency to "sing along" with his piano have little to fear for, other than occasional shouts and sighs, he wisely lets his piano do the talking.

Tracks:

CD 1
01. In Your Own Sweet Way
02. How Long Has This Been Going On
03. While We're Young
04. Partners
05. No Lonely Nights
06. Now's The Time
07. Lament

CD 2
01. I'm Old Fashioned
02. Everything Happens To Me
03. If I Were A Bell
04. In The Wee Small Hours Of The Morning
05. Oleo
06. Alone Together
07. Skylark
08. Things Ain't What They Used To Be

CD 3
01. Autumn Leaves
02. Days of Wine and Roses
03. Bop-Be
04. You Don't Know What Love Is / Muezzin
05. When I Fall in Love

CD 4
01. How Deep Is The Ocean
02. Close Your Eyes
03. Imagination
04. I'll Close My Eyes
05. I Fall In Love Too Easily / The Fire Within
06. Things Ain't What They Used To Be

CD 5
01. On Green Dolphin Street
02. My Romance
03. Don't Ever Leave Me
04. You'd Be So Nice To Come Home To
05. La Valse Bleue
06. No Lonely Nights
07. Straight, No Chaser

CD 6
01. Time After Time
02. For Heaven's Sake
03. Partners
04. Desert Sun
05. How About You?

Personnel:

Double Bass – Gary Peacock
Drums – Jack DeJohnette
Piano – Keith Jarrett

Keith Jarrett - At The Blue Note: The Complete Recordings (1994) [6 CD Box Set]

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alxfrmmng
23:09
- 0

Thx a lot! Please! Someone have Sun Bear Concerts DSD files version?

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djangoherbert
11:27
- 1

Quote: alxfrmmng

Thx a lot! Please! Someone have Sun Bear Concerts DSD files version?

I had some e-mail communication with an employee at ECM:
In July they will release a lot of Pat Metheny's back-catalogue in 24/96, 80/81 was just the beginning...
The same goes for Keith Jarrett, SBC is definitely in the list for 24/96 - DSD files are already available on highresaudio.com remastered by Viennese sound engineer Christoph Sickel...

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useit
19:38
- 1

In June 1994 over three extraordinary nights at the celebrated Blue Note in New York City, Keith Jarrett's Standards Trio took American jazz to new heights. Keith Jarrett At The Blue Note - The Complete Recordings (six CDs) captures every tune from every set from every night - a unique documentation of one of this decade's greatest performances. 'Jarrett makes each new note sound like a discovery ... The music whispered and glimmered, seeking a pure, incorporeal song.'
New York Times, June 6, 1994

Tyran Grillo:

Keith Jarrett Trio
At The Blue Note – The Complete Recordings

Keith Jarrett piano
Gary Peacock bass
Jack DeJohnette drums
Recorded June 3–5, 1994, New York
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher

When Keith Jarrett opens Dave Brubeck’s “In Your Own Sweet Way,” the first off this monumental document of a weekend’s Blue Note concerts in June of 1994, we feel right at home. Sharing the stage with Gary Peacock and Jack DeJohnette, he epitomizes balance of fire and grace in the famed jazz club’s intimate and hallowed confines. But there is, of course, nothing confining about the 7-hour journey on which the listener has just embarked, for as Peacock spreads his fingers wide, fanning the flames over DeJohnette’s never-hackneyed rat-a-tat-tat, we understand that this is something more than music. It’s art, pure and simple.

So begins the first of three glorious nights of (mostly) standards from the trio that rewrote them all. What follows is a veritable train of the tried and true, which lets off the Gershwins at one station with “How Long Has This Been Going On,” Charlie Parker at another (“Now’s The Time”), and J. J. Johnson at still another (“Lament”). Peacock’s improvisational arc is their running spine, binding page after page of archival paper with insoluble glue. Jarrett manages to float throughout the livelier locks of “While We’re Young,” “Oleo,” and “If I Were A Bell,” the latter of which requires a pair of binoculars to spot DeJohnette, so high does he soar. The second Friday set also proves fertile ballad ground, tugging at the heartstrings “In The Wee Small Hours Of The Morning.” Here Peacock eases in almost unawares—a gradation of sunset from pink to orange—and turns drums into whispers. “Things Ain’t What They Used To Be” is another highlight, closing out the night with a gospel edge.

“Autumn Leaves,” which for my money no one plays better, kicks off Saturday’s tour de force at the astronomical length of nearly 27 minutes. But make no mistake: not a single note is wasted. Between Peacock’s beautifully ascending lines and Jarrett’s open O of ecstatic communication with the gods of improvisation, to say nothing of the fine swinging of the sticks from DeJohnette, there is always something to admire with each new listen. “Days of Wine and Roses” spreads one royal jazz flush across the poker table, giving us some of the set’s most unified moments, while a likeminded rendition of “When I Fall in Love” underscores Peacock, who is every bit as deft as Jarrett at unpacking the motives at hand for all they’re worth. “How Deep Is The Ocean” is a perfect example of Jarrett’s skills as an introducer, bringing us as he does into the atmosphere of the piece before the vamp rears its familiar head. Fresher moments abound in “I’ll Close My Eyes.” A crisp joint that snaps like a snow pea, its affirming energies feed Jarrett’s most phenomenal solo of the entire package. Spinning his chromatic staircases as if he were a lighthouse builder in a parallel night, he adds flesh to every bone. As Friday ended in Pentacost, so Saturday ends in the blues with “Things Ain’t What They Used To Be.”

Which leads us into the dynamic visions of Sunday’s closing sets. The first takes the smooth (“My Romance”) with the tempestuous (“La Valse Bleue”), the flustered (“You’d Be So Nice To Come Home To”) with the thrilling (“Straight, No Chaser”). The second adopts a more meditative approach, melting in Jarrett’s own “Desert Sun.” One of a smattering of originals, it unfolds like a solo concert piece, made all the richer for the presence of his incomparable sidemen. Like “Partners” (appearing twice on the album) and “Bop-Be,” it is a standalone story, a new chapter in a book that may never be finished. “No Lonely Nights” is another personal trip and finds its composer pouring on the starlight like syrup over pancakes. The remaining half of his tunes grow out of shorter standards, turning, for example, “On Green Dolphin Street” into a 21-minute jam with the addition of “Joy Ride.” So, too, with “You Don’t Know What Love Is” (augmented by Jarrett’s “Muezzin”) and “I Fall In Love Too Easily,” which submits to “The Fire Within.” And where else could such sustained brilliance come from?

Just when you think you’ve picked a favorite guide out of this trio for these sentimental journeys, another swoops in to take his place. In spite of their seemingly unstoppable flow, they always know when to take pause, to let the air breathe with the heads and tails of something new. And while I’d never recommend limiting oneself to a single recording by this groundbreaking group, for deep-end swimmers you can’t go wrong with this dive. As a live document alone, it will stand the test of time. The only downside is that you may feel sad at not having been there when all of this went down. Thankfully, through this treasure of a recording, we can trick ourselves into thinking that we were. The only standards worth sharing, says Jarrett in his liner notes, are the highest ones, and at the Blue Note you’ll find nothing but. This is where it’s at.:

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