The Singers Unlimited with Rob McConnell & The Boss Brass - The Singers Unlimited with Rob McConnell & The Boss Brass (2014) [Hi-Res]
Artist: The Singers Unlimited with Rob McConnell & The Boss Brass, The Singers Unlimited, Rob McConnell, The Boss Brass
Title: The Singers Unlimited with Rob McConnell & The Boss Brass
Year Of Release: 1979 / 2014
Label: MPS Records
Genre: Jazz
Quality: FLAC (tracks) [88.2kHz/24bit]
Total Time: 38:39
Total Size: 693 MB
WebSite: Album Preview
Tracklist:Title: The Singers Unlimited with Rob McConnell & The Boss Brass
Year Of Release: 1979 / 2014
Label: MPS Records
Genre: Jazz
Quality: FLAC (tracks) [88.2kHz/24bit]
Total Time: 38:39
Total Size: 693 MB
WebSite: Album Preview
01. Tangerine (3:13)
02. Laura (3:58)
03. Lullaby Of The Leaves (4:13)
04. You Are My Sunshine (2:30)
05. Sophisticated Lady (5:05)
06. A Beautiful Friendship (2:19)
07. It Might As Well Be Spring (6:06)
08. Chelsea Morning (3:31)
09. Dindi (3:20)
10. Peaces Of Dreams (4:24)
This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany. As a consequence, the Singers Unlimited, as the group had named themselves, found themselves with their own recording contract. An album of standards followed in 1972, with more John Lennon/Paul McCartney compositions, plus material plucked from Joni Mitchell's back catalog, all performed in a technically precise but spirited doo wop/a cappella idiom. While it hardly set the pop charts alight, the collection did receive one notable accolade, the German Record Grand Prix of 1973. A steady stream of albums were issued during the '70s to a loyal following. ~ Rovi Staff
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