Brigitte Barbu - Muzak pour ascenseurs en panne (2020)
Artist: Brigitte Barbu
Title: Muzak pour ascenseurs en panne
Year Of Release: 2020
Label: Circus Company / CCCD021
Genre: Ambient, Experimental
Quality: 16bit-44,1kHz FLAC
Total Time: 41:05
Total Size: 398 mb
WebSite: Album Preview
TracklistTitle: Muzak pour ascenseurs en panne
Year Of Release: 2020
Label: Circus Company / CCCD021
Genre: Ambient, Experimental
Quality: 16bit-44,1kHz FLAC
Total Time: 41:05
Total Size: 398 mb
WebSite: Album Preview
1. Dae-Boj DeMoya (06:26)
2. Trou vert 1 (00:25)
3. Beau Zoo (07:00)
4. Trou vert 2 (01:11)
5. Sainte Amante (05:42)
6. Trou vert 3 (01:12)
7. Couvre chef en peau de taupe (07:37)
8. Trou vert 4 (00:44)
9. Ray Z (04:23)
10. Trou vert 5 (01:01)
11. Mistori (05:24)
Uniting cosmic tones and lovely notes, unique sound collages and electronic noises, Muzak pour ascenseurs en panne ("Muzak for Broken Lifts"), Brigitte Barbu's first album, explores a dreamy universe, at the crossroads of electronica and the 70s’ post-tune-in/drop-out, echoing shadows of the peculiar doppelgänger; Pépé Bradock. Ça Plane pour Brigitte Barbu…
Resonant guitar notes, odd sounds, electronic hallucinations, and unexpected warm synth layers all gather together in Brigitte Barbu's first enigmatic album. Recorded and mixed during a reclusive one-week residency in a very special studio, under the benevolent cubic radiation of "Our Lady of the Ark of the Covenant,” using a computer, synthesizers, and various string instruments, giving birth to this resolutely unique album. The guitars were sharply disciplined, propelling strings into strange and hypnotic limbos, somewhere between a weightless journey through time and a fresh science lab experiment.
A perky cosmic album running away from rules and gravity.
"I wanted to compose an ethereal abstract Hip-Hop LP" says Brigitte, "with guitar as a brainwashed instrument, mirroring machines and computers, even if surely far from being unplugged". So much for that… With a real introspective dimension, the record stands out for its pure whimsical mood. The artist had strict rules for composing: “Each track is based on the association between a title chosen for its consonances, an open tuning, a random tempo and frequencies chosen for their supposed effects, real or imagined, on the mind, body & soul.” For example: Taro Patch -> Whale -> 93,75 BPM or Dobro -> Bear-> 118,125 BPM, Air Resistance -> Open Em -> Panther-> 480 BPM etc.
Brigitte surgically framed an electro-acoustic compendium, finding its atmospheric mothership… Brigitte Barbu, referring to a special interlude from a vintage release "Escalope de Dingue” (Fool’s Cutlet), explains that Muzak pour Ascenseurs en Panne is in fact a custom tribute to family, friends, triggered cosmonauts, René Clément and the card game where the winner is the bearded monarch nonchalantly stabbing himself in the head. It’s a lot!