Cantus Novus Wien, Diána Fuchs, Stefan Tauber, Tabea Gerstgrasser, Ensemble Tamanial - Beethoven: Secular Vocal Works (2020) [Hi-Res]

  • 26 Jun, 04:51
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Title: Beethoven: Secular Vocal Works
Year Of Release: 2020
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 01:06:28
Total Size: 356 mb / 1.13 gb
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Tracklist

01. Der freie Mann, WoO 117 (1792 Version)
02. Opferlied, Op. 121b, Hess 91 (Version for Choir & Piano)
03. Bundeslied, Op. 122, Hess 92 (Version for Choir & Piano)
04. Abschiedsgesang, WoO 102
05. Un lieto brindisi, WoO 103 "Cantata campestre"
06. Gesang der Mönche, WoO 104 (From William Tell)
07. Hochzeitslied, Hess 125 (2nd Version)
08. Bei labbri, che amore, WoO 99 No. 1
09. Ma tu tremi, WoO 99 No. 6
10. E pur fra le tempeste, WoO 99 No. 3 (Arr. W. Hess for Voice & Piano)
11. Sei mio ben, WoO 99 No. 4
12. Giura il nocchier, WoO 99 No. 5a
13. Giura il nocchier, WoO No. 5b
14. Giura il nocchier, WoO No. 5c
15. Chi mai di questo core, WoO 99 No. 7
16. Scrivo in te, WoO 99 No. 8
17. Per te d'amico aprile, WoO No. 9
18. Nei campi e nelle selve, WoO No. 10a
19. Nei campi e nelle selve, WoO No. 10b
20. Fra tutte le pene, WoO 99 No. 11a
21. Fra tutte le pene, WoO 99 No. 11a (A. Salieri Revised Version)
22. Fra tutte le pene, WoO 99 No. 11b (A. Salieri Revised Version)
23. Fra tutte le pene, WoO 99 No. 11b
24. Fra tutte le pene, WoO 99 No. 11c
25. Fra tutte le pene, WoO 99 No. 11c (A. Salieri Revised Version)
26. Salvo tu vuoi lo sposo, WoO 99 No. 12a
27. Salvo tu vuoi lo sposo, WoO 99 No.12b
28. Quella cetra ah pur tu sei, WoO 99 No. 13a
29. Quella cetra ah pur tu sei, WoO 99 No. 13b
30. Quella cetra ah pur tu sei, WoO 99 No. 13c
31. Gia la notte savvicina, WoO 99 No. 14a
32. Gia la notte savvicina, WoO 99 No. 14b
33. Die laute Klage, WoO 135 (1814 Version)
34. In questa tomba oscura, WoO 133 (1806 Version)
35. Klage, WoO 113 (1790 Version)
36. Lied aus der Ferne, WoO 137 (1809 Version)
37. Vom Tode, Op. 48 No. 3 (1801 Version)
38. An die Geliebte, WoO 140 No. 1 (1811 Version)

Beethoven’s secular vocal works, many rarely heard today, were composed for a variety of reasons. Some were written for marriages, to mark the departure of a friend or to celebrate a name day, while others allude to Masonic imagery or set the words of great literary contemporaries, such as Schiller. The larger canvas of Mehrstimmige italienische Gesänge reflects Beethoven’s studies of Italian word-setting with Antonio Salieri, revealing insights into Beethoven’s achievements during his early years in Vienna.


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