Sharon Bezaly & Ronald Brautigam - Masterworks For Flute And Piano Vol. 2 (2010)
Artist: Sharon Bezaly, Ronald Brautigam
Title: Masterworks For Flute And Piano Vol. 2
Year Of Release: 2010
Label: BIS
Genre: Classical
Quality: FLAC (image + .cue, log, scans)
Total Time: 59:23 min
Total Size: 240 MB
WebSite: Album Preview
Tracklist:Title: Masterworks For Flute And Piano Vol. 2
Year Of Release: 2010
Label: BIS
Genre: Classical
Quality: FLAC (image + .cue, log, scans)
Total Time: 59:23 min
Total Size: 240 MB
WebSite: Album Preview
Francis Poulenc: Flute Sonata, FP 164
I. Allegro malincolico
II. Cantilena
III. Presto giocoso
Frank Martin: Ballade for Flute and Piano
Ballade for Flute and Piano
Carl Reinecke: Flute Sonata, Op. 167, "Undine"
I. Allegro
II. Intermezzo: Allegretto vivace - Piu lento, quasi andante
III. Andante tranquillo - Molto vivace
IV. Finale: Allegro molto agitato ed appassionato, quasi presto
Bohuslav Martinu: Flute Sonata, H. 306
I. Allegro moderato
II. Adagio
III. Allegro poco moderato
Olivier Messiaen: Le merle noir
Le merle noir
Reinecke's work is a musical re-telling of the well-known story of Undine, the water spirit who marries a knight, but is betrayed and takes her revenge on him. Frank Martin's virtuosic Ballade (1939) features an acrobatic flute cadenza, roaming melismas and irrepressible cascades, generating a compelling sense of drama. In 1945, while in exile during the German occupation of Czechoslovakia, Martinu composed his Flute Sonata, in which the virtues of his distinct musical language are plain to hear - lyrical lines, a rhythmic drive which is both energetic and lively and an effective use of tone colour. Six years later the bird-lover Messiaen composed Le merle noir, constructed around the song of the blackbird, which he painstakingly noted down and then found the means to imitate on the flute. Poulenc's melodic Sonata, finally, has become a signature work for its composer: its lightness, transparency and sonic refinement have charmed audiences ever since the first performance.