Laurent Martin - Charles-Valentin Alkan: Esquisses Op. 63 (2002)

  • 05 Aug, 14:59
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Artist:
Title: Charles-Valentin Alkan: Esquisses Op. 63
Year Of Release: 2002
Label: Naxos
Genre: Classical
Quality: FLAC (image + .cue, log, scans)
Total Time: 74:29 min
Total Size: 218 MB
WebSite:

Tracklist:

01] La vision
02] Le staccatissimo
03] Le legatissimo
04] Les cloches
05] Les inities
06] Fuguette
07] Le frisson
08] Pseudo-Naivete
09] Confidence
10] Increpatio
11] Les soupirs
12] Barcarollette
13] Ressouvenir
14] Duetto
15] Tutti de Concerto dans le genre ancien
16] Fantaisie
17] Petit prelude a 3
18] Liedchen
19] Graces
20] Petit marche villageoise
21] Morturi te salutant
22] Innocenza
23] L'Homme aux sabots
24] Contredanse
25] La poursuite
26] Petit air
27] Rigaudon
28] Inflexibilite
29] Delire
30] Petit air dolent
31] Debut de quatuor
32] Minuettino
33] Fais Dodo
34] Odi profanum vulgus et arceo
35] Musique militaire
36] Toccatina
37] Scherzettino
38] Les bons souhaits
39] Heraclite et Democrite
40] Attendez-moi sous l'orme
41] Les enharmoniques
42] Petit air
43] Notturnino - Innamorato
44] Transports
45] Les diablotins
46] Le premier billet doux
47] Scherzetto
48] En songe
49] Laus Deo

If you'd like to access the full scope of Alkan's quirky style in bite-sized proportions rather than piling into the Concerto for Solo Piano, Les Quartre Ages, and other large-scale concoctions, here's a disc for you. Esquisses (Sketches) contains 49 piano miniatures, each lasting from 43 seconds to a little more than four minutes. Alkan apparently composed these over a 15-year span. He eventually partitioned the collection into four volumes, arranged according to key sequence. It's almost too easy to describe the music as slightly off-center replicas of Schumann, Chopin, Liszt, and Weber, with touches of the French clavicenists, but that's essentially what you hear. He even foreshadows Paul McCartney's "Michelle" by a century in the quasi-modal "Barcollete!"

Laurent Martin commands Alkan's idiom well, and his fingers toss off the composer's fastest flurries of notes (e.g. the Fantasie, No. 16) with next to no effort. However, Martin's artistry is severely compromised by strident, tinny sonics. I could somewhat tame the jangly quality of loud, pedaled repeated chords by futzing with my receiver's parametric equalizer, but that's akin to treating a tummy ache with a band-aid. In fairness, Naxos has significantly improved its techniques for recording piano music since this 1992 release, originally available on Marco Polo and now reissued at budget price. -- Jed Distler, ClassicsToday.com