Cora Lee Day / Debby Moore - My Crying Hour / My Kind of Blues (2020)
Artist: Cora Lee Day / Debby Moore
Title: My Crying Hour / My Kind of Blues
Year Of Release: 2020
Label: Best Voices Time Forgot
Genre: Jazz, Vocal Jazz
Quality: FLAC (tracks)
Total Time: 73:12 min
Total Size: 369 MB
WebSite: Album Preview
Tracklist:Title: My Crying Hour / My Kind of Blues
Year Of Release: 2020
Label: Best Voices Time Forgot
Genre: Jazz, Vocal Jazz
Quality: FLAC (tracks)
Total Time: 73:12 min
Total Size: 369 MB
WebSite: Album Preview
01. My Crying Hour
02. When Your Lover Has Gone
03. Trouble Is a Man
04. The Very Thought of You
05. I See a Million People
06. Ain't No Use
07. It Isn't Fair
08. You Taught Me How to Cry
09. Weeping Willow
10. Try a Little Tenderness
11. I'm Gonna Laugh You out of My Life
12. The Masquerade Is Over
13. Five Months, Two Weeks, Two Days
14. Come on Home to Me
15. See See Rider
16. Nothin' but Trouble on My Mind
17. Sent for You Yesterday
18. Baby, Won't You Please Come Home
19. I'm Travelin' Light
20. (I Know) My Baby Loves Me True
21. Why Don’t You Do Right
22. How Come You Do Me like You Do Do Do?
23. Hallelujah, I Love Him So
24. No Love, No Nothin'
25. I Get a Feeling
My Crying Hour
Cora Lee Day (1914-1996) was virtually unknown when she recorded 'My Crying Hour' in 1960, the only album in her brief singing career, before becoming an actress. She bore a striking vocal resemblance to another legendary Day, the immortal Lady Day Billie Holiday but her voice still has that certain intangible quality that singles her out as a rare-find on the jazz scene and is sure to catch your ear. Under the direction of pianist Jimmy Jones and with a number of skillful arrangements, Cora Lee gained the drive and confidence to sing an engaging repertoire of fragile, moving songs in the manner that came most natural to her soft and intimate.
My Kind of Blues
Debby Moore (1925-2017), who once sang with Earl Hines, was a Fifties pop singer whose light, warmly caressing voice and ability to read a lyric and phrase well showed a frank jazz awareness. It s no surprise, then, that she was able to get a quintet of this quality for this mix of blues and standards. Although the group is cast in a mainly accompanying role, it could call on Harry Sweets Edison s swinging solos and delightful backing for the singer who also contributes the novelty of whistling on a couple of tracks in a style not unlike the trumpeter s as well as Jimmy Jones s elegant soloing and Barry Galbraith s funky guitar. The result was 'My Kind of Blues,' a consistenly interesting debut album, with the singer generating her lithe, detached swing and getting her own groove going.
Cora Lee Day (1914-1996) was virtually unknown when she recorded 'My Crying Hour' in 1960, the only album in her brief singing career, before becoming an actress. She bore a striking vocal resemblance to another legendary Day, the immortal Lady Day Billie Holiday but her voice still has that certain intangible quality that singles her out as a rare-find on the jazz scene and is sure to catch your ear. Under the direction of pianist Jimmy Jones and with a number of skillful arrangements, Cora Lee gained the drive and confidence to sing an engaging repertoire of fragile, moving songs in the manner that came most natural to her soft and intimate.
My Kind of Blues
Debby Moore (1925-2017), who once sang with Earl Hines, was a Fifties pop singer whose light, warmly caressing voice and ability to read a lyric and phrase well showed a frank jazz awareness. It s no surprise, then, that she was able to get a quintet of this quality for this mix of blues and standards. Although the group is cast in a mainly accompanying role, it could call on Harry Sweets Edison s swinging solos and delightful backing for the singer who also contributes the novelty of whistling on a couple of tracks in a style not unlike the trumpeter s as well as Jimmy Jones s elegant soloing and Barry Galbraith s funky guitar. The result was 'My Kind of Blues,' a consistenly interesting debut album, with the singer generating her lithe, detached swing and getting her own groove going.