John Eliot Gardiner - Francois Couperin: L'Apotheose de Lully; L'Apotheose de Corelli; Concert "Dans le Gout Theatral" (1990)

  • 29 Aug, 17:39
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Artist:
Title: Francois Couperin: L'Apotheose de Lully; L'Apotheose de Corelli; Concert "Dans le Gout Theatral"
Year Of Release: 1990
Label: Erato
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 70:07 min
Total Size: 362 MB
WebSite:

Tracklist:

01. Le Parnasse ou L'Apothéose de Corelli - Corelli au pied du
02. Corelli Charmi de la
03. Corelli huvant a la Cource
04. En touziasme de Corelli
05. Les Muses Mueillent
06. Remerciement de Corelli
07. Huitieme Concert Nouveaux dans le goût Théatral - Ouverture
08. Grande Ritournéle - Gravement
09. Air - Noblement
10. Air Tendre - Rondeau
11. Air Léger
12. Loure - Pesamment
13. Air - Animé, et léger
14. Sarabande - Grave, et tendre
15. Air Léger
16. Air tendre - Lentement
17. Air de Baccantes - Tres animé
18. Concert Instrumental, sous le titre d'Apothéose Monsieur de Lully - Lulli aux Champs
19. Air pour les Memes
20. Vol, de mercure aux Champes
21. Descente d'Apollon
22. Rumeur Souteraine
23. Plaintes des Memes
24. En levement de Lulli
25. Accuel entre-doux
26. Remerciment de Lulli
27. Essai en forme d'Ouvert
28. Lulli jovant le Sujet - Corelli jouant le Sujet
29. Sonate en trio (La Paix du Parnasse) - Gravement
30. Saillie - vivement
31. Rondement
32. Vivement

John Eliot Gardiner is one of the leading conductors in the active authentic performances movement in England, performing Baroque music but also extending his range into later repertoire. He first conducted at the age of 15, and after finishing school he studied at King's College, Cambridge. While still an undergraduate, he conducted the combined Oxford and Cambridge Singers on a 1964 tour of the Middle East and founded the Monteverdi Choir, which has consistently performed on his recordings since.

After graduation, he went to Paris to study with Nadia Boulanger and then studied as a postgraduate at King's College, London, with early music leader Thurston Dart. His first notable engagement as a conductor was at a Promenade Concert in London in 1969 and he first conducted an opera in London (Gluck's Iphigénie en Tauride) at Covent Garden in 1973.

He had continued conducting the Monteverdi Choir, then founded the English Baroque Soloists, specializing in Baroque music played on original-style instruments. The EBS first appeared at the 1977 Innsbruck Festival of Early Music and has appeared with the Monteverdi Choir on many recordings.

He made his American debut in 1979 leading the Dallas Symphony Orchestra, part of an active and often overlooked aspect of his career: conducting standard repertoire on modern instruments. This included a period as principal conductor (1980-1983) of the CBC Vancouver Symphony Orchestra; music director of the Opera de Lyon (1983-1988), which included founding an entirely new orchestra; and principal conductor of the North German Radio Symphony Orchestra in Hamburg (1991-1994).

He expanded his activities in the original-style instruments movement by recognizing that from the Classical era and well into the Romantic age there were distinctly different instrument designs than those that are standard today. As a result, he founded another new orchestra, the Orchéstre Révolutionnaire et Romantique, to specialize in that period with authentic instruments.

He has also been an active guest conductor, leading major orchestras of the world, including the Cleveland, Berlin Philharmonic, Royal Concertgebouw, Vienna Philharmonic, and Philharmonia orchestras, and has conducted the Puccini opera Manon Lescaut at Glyndebourne. He led a cycle of all seven mature Mozart operas and has conducted over 250 recordings on Deutsche Grammophon and Erato labels. He and Herbert von Karajan share the record for the most Gramophone Awards in a single year (three), while Gardiner has won more of them over the years than any other artist.

The year 2000 marked the beginning of the Bach Cantata Pilgrimage, where Gardiner led performances of the complete sacred cantatas in the United States and Europe. He followed up this project with a 2004 tour around Spain with the Monteverdi Choir, performing selections from the Codex Compostelanus in churches along the Way of St. James. -- Joseph Stevenson


  • owen1438
  •  20:04
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Thank you so much for sharing it!
  • topomono
  •  20:54
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Gracias!!!