Lana Trio - Live In Japan (2014)
Artist: Lana Trio
Title: Live In Japan
Year Of Release: 2014
Label: Va Fongool
Genre: Free Jazz, Avant-garde Jazz
Quality: FLAC (tracks+.cue, log)
Total Time: 1:07:40
Total Size: 346 MB
WebSite: Album Preview
Tracklist:Title: Live In Japan
Year Of Release: 2014
Label: Va Fongool
Genre: Free Jazz, Avant-garde Jazz
Quality: FLAC (tracks+.cue, log)
Total Time: 1:07:40
Total Size: 346 MB
WebSite: Album Preview
01. Candyism (23:15)
02. Meanwhile, Somewhere (17:56)
03. Through Sound (26:29)
The sophomore album of this Norwegian trio - Nørstebø, pianist Kjetil Jerve, who plays in the Chet Baker tribute band Baker Hansen and in a duo with trumpet player Kristoffer Eikrem, and drummer Andreas Wildhagen, who has the honor to play opposite Paal Nilssen-Love in his Large Unit, also a member of the modern jazz quintet Mopti - was recorded live at the Jazzspot Candy in Chiba, near Tokyo, the last stop of a two-week tour in Japan.
The live setting brings the best of this trio. The urgency and immediacy of a live, energetic experience, the time and space to develop the trio non-idiomatic improvisations and the deep trust of understanding of each other and the expressive, rich language of each of these opinionated musicians, especially Nørstebø. The three extended improvisations covers a wide spectrum - from abstract, minimalist segments that are affected by Morton Feldman's innovative work, the European, FMP school of free jazz, referencing the work of Alexander von Schlippenbach and the Bauer brothers, and experimental sonic searches.
The trio moves organically between these fields of music, never surrendering to any manner of linear articulation, pulse, or dynamics but rather keeping building the tension and the intensity of the interplay and expanding its rich palette of sounds. The most fascinating piece is the second improvisation, “Meanwhile, Somewhere”, built around silent pauses, slowly spreading its minimalist, low-volume sounds through the club space, as in a mysterious, meditative ritual, only occasionally the intensity of reserved, sensitive interplay is transformed into a powerful outbursts. The wise drumming of Wildhagen anchors the conflictual interplay of Nørstebø and Jerve in a kind of weird dance that patiently becomes more dense, wilder and powerful but concludes in a gentle, lyrical slow dance. Excellent way to end an excellent concert and a successful tour.
The cover continues the unique artistic line of Va Fongool, this time designed by noise master Lasse Marhuag, showing a pastoral scene from a cruel dolphin hunt.
The live setting brings the best of this trio. The urgency and immediacy of a live, energetic experience, the time and space to develop the trio non-idiomatic improvisations and the deep trust of understanding of each other and the expressive, rich language of each of these opinionated musicians, especially Nørstebø. The three extended improvisations covers a wide spectrum - from abstract, minimalist segments that are affected by Morton Feldman's innovative work, the European, FMP school of free jazz, referencing the work of Alexander von Schlippenbach and the Bauer brothers, and experimental sonic searches.
The trio moves organically between these fields of music, never surrendering to any manner of linear articulation, pulse, or dynamics but rather keeping building the tension and the intensity of the interplay and expanding its rich palette of sounds. The most fascinating piece is the second improvisation, “Meanwhile, Somewhere”, built around silent pauses, slowly spreading its minimalist, low-volume sounds through the club space, as in a mysterious, meditative ritual, only occasionally the intensity of reserved, sensitive interplay is transformed into a powerful outbursts. The wise drumming of Wildhagen anchors the conflictual interplay of Nørstebø and Jerve in a kind of weird dance that patiently becomes more dense, wilder and powerful but concludes in a gentle, lyrical slow dance. Excellent way to end an excellent concert and a successful tour.
The cover continues the unique artistic line of Va Fongool, this time designed by noise master Lasse Marhuag, showing a pastoral scene from a cruel dolphin hunt.