Andrew Litton & Bergen Philharmonic Orchestra - Prokofiev Symphony No. 6 - Lieutenant Kije Suite - The Love for Three Oranges Suite (2013) [Hi-Res]

A popular programme of works including the orchestral suite for the film score of Lieutenant Kijé. The original film score contains two songs which are often performed by solo saxophone and orchestra but are recorded here in their original (but seldom heard) version for baritone voice.

With acclaimed previous recordings of music by Prokofiev, as well as Stravinsky, Mendelssohn and most recently Rachmaninov, Andrew Litton and his Bergen Philharmonic Orchestra are a tried-and-tested team in this repertoire. They make the most of the enormous palette of colours and moods provided by these three scores.

Premièred in January 1945, Sergei Prokofiev’s optimistic and heroic Fifth Symphony had seemed to herald the victorious end of World War Two. In stark contrast to this, his Symphony No.6, which received its first performance in 1947, is one of his deepest and most personal works. Although it was greeted with enthusiasm by the audience, the Soviet authorities were critical of the work and in 1948 a Party resolution singled it out as ‘abnormal’ and ‘repellent’. In fact, the first ideas for the symphony preceded those for the Fifth, and date from a period when the issue of the war was still uncertain.

Early in 1945 the composer had suffered a collapse, from which he never completely recovered and which forced him to live the life of an invalid with almost constant headaches. In regard to the work, Prokofiev himself stated: ‘Now we are rejoicing in our great victory, but each of us has wounds that cannot be healed.’ This haunted symphony is here coupled with two works which illustrate a very different side of the composer, his gift for creating vivid musical images that can sum up a scene in a few bold strokes. These are the ever-popular suites from The Love for Three Oranges, the tragic-comical opera from 1921, and from the film score to Lieutenant Kijé, a light-hearted satire from 1934.

The original film score included two songs, which form the second and fourth movements of the concert suite. Often performed in a version for solo saxophone and orchestra, these are heard in this recording in their original vocal form, performed by the Ukranian baritone Andrei Bondarenko. With acclaimed previous recordings of music by Prokofiev, as well as by Stravinsky and Rachmaninov, Andrew Litton and his Bergen Philharmonic Orchestra are a tried-and-tested team in this repertoire, and once again make the most of the enormous palette of colours and moods provided by these three scores.

“Melancholy and menace...Litton shows profound sympathy for both of them...The orchestra seems to have flourished durings its decade under Litton: its sheen is seductive, balances and ensemble are expert, dynamics are artfully shaded and the solo parts are delivered with sensitivity and colour...an auspicious release.” (International Record Review)

„This is the best recorded sound this symphony has received to date...Litton knows exactly how to make the most of it, when to dwell on detail and when to propel the argument forward...Litton directs the symphonic suite with a close eye on the rhythmic subtleties of Prokofiev's score.” (MusicWeb International)

Bergen Philharmonic Orchestra
Andrew Litton, conductor

January 2012 at Grieghallen, Bergen, Norway
Engineered: Hans Kipfer
Editing: Elisabeth Kemper
Mixing: Ingo Petry
Producer: Ingo Petry
Executive Producer: Robert Suff