Consort Brouillamini - The Woods so Wild (2020) [Hi-Res]
Artist: Consort Brouillamini
Title: The Woods so Wild
Year Of Release: 2020
Label: Paraty
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 58:19
Total Size: 239 / 996 MB
WebSite: Album Preview
Tracklist:Title: The Woods so Wild
Year Of Release: 2020
Label: Paraty
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 58:19
Total Size: 239 / 996 MB
WebSite: Album Preview
01. The Image of Melancholly (5:19)
02. The Fairie-Round (1:07)
03. Muy Linda (1:02)
04. Hermoza (1:14)
05. Watkins Ale (Arr. for Recoder) (0:38)
06. Rowland (Arr. for Recoder) (3:37)
07. La Volta (Arr. for Recoder) (1:45)
08. Pakington's Pownde (Arr. for Recoder) (2:21)
09. Pawles Wharfe (Arr. for Recoder) (1:30)
10. The Woods so Wild (Arr. for Recoder) (3:27)
11. In Nomine XII: Crye (1:39)
12. In Nomine XV: Surrexit non est hic (2:58)
13. Hugh Ashton's Maske (2:54)
14. The Second of the Temple (1:29)
15. The First of the Prince's (1:24)
16. Cupararee or Grays'Inn (Arr. for Recoder) (2:15)
17. The First of the Temple antic (2:06)
18. The Second of the Temple antic (1:53)
19. O Mater Mundi (3:45)
20. Consort of Four Parts, Suite No. 3 en Fa Majeur: I. Fantazie (3:38)
21. Consort of Four Parts, Suite No. 3 en Fa Majeur: II. Courante (1:09)
22. Consort of Four Parts, Suite No. 3 en Fa Majeur: III. Ayre (1:11)
23. Consort of Four Parts, Suite No. 3 en Fa Majeur: IV. Saraband (0:55)
24. Pavan en sol mineur (Arr. for Recoder) (4:54)
25. Chacony en sol mineur (Arr. for Recoder) (4:24)
The first feeling given by the English music of the 16th and 17th is a great uniqueness apparently preserved from any foreign influence, but yet English musicians were not totaly isolated from their continental fellow workers: For evidence, foreign musical forms like the Pavan, the Gaillard or the Madrigal all born in Italy were in use in England, foreign instrumentalists played in the court of England, handwritten or printed music from the continent was largely spread over England.
However, England always took the foreign idioms very cautiously. The main imitative process of music writing began only to be used at the very last end of the 16th century; the first innovations of the baroque style were adopted very gradually from the end of the 17th.
The English Renaissance, spread largely over the 17th century, has preserved a unique style of continental innovations, very rich and remarkable in the instrumental music which is without doubt one of the most accomplished of the period.
However, England always took the foreign idioms very cautiously. The main imitative process of music writing began only to be used at the very last end of the 16th century; the first innovations of the baroque style were adopted very gradually from the end of the 17th.
The English Renaissance, spread largely over the 17th century, has preserved a unique style of continental innovations, very rich and remarkable in the instrumental music which is without doubt one of the most accomplished of the period.
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