Rundfunkschor Leipzig, Staatskapelle Dresden, Neville Marriner - Haydn: Masses (2005)

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Artist:
Title: Haydn: Masses
Year Of Release: 2005
Label: EMI Classics
Genre: Classical, Choral
Quality: FLAC (image+.cue,log,scans)
Total Time: 135:53
Total Size: 670 Mb
WebSite:

Tracklist:

CD 1:
Missa Sancti Bernardi von Offida, for soloists, chorus, organ & orchestra in B flat major ("Heiligmesse"), H. 22/10
1. Kyrie 4:16
2. Gloria in excelsis Deo 2:06
3. Gratias agimus tibi 4:09
4. Quoniam tu solus sanctus 2:37
5. Credo in unum Deum 1:23
6. Et incarnatus est 4:51
7. Et resurrexit 2:04
8. Et vitam venturi saeculi 1:46
9. Sanctus 1:50
10. Benedictus 5:36
11. Agnus Dei 3:40
12. Dona nobis pacem 2:44
Mass for soloists, chorus, organ & orchestra in D minor ("Lord Nelson"), H. 22/11
13. Kyrie 4:26
14. Gloria in excelsis 3:22
15. Qui tollis 5:07
16. Quoniam tu solus sanctus 2:38
17. Credo in unum Deum 1:39
18. Et incarnatus est 4:26
19. Et resurrexit 3:40
20. Sanctus 2:27
21. Benedictus 5:42
22. Osanna 0:39
23. Agnus Dei 3:21
24. Dona nobis pacem 2:30

CD 2:
Missa brevis St. Joannis de Deo, for soloists, chorus, organ & orchestra in B flat major ("Little Organ Mass"), H. 22/7
1. Kyrie 2:23
2. Gloria 0:47
3. Credo 3:13
4. Sanctus 0:55
5. Benedictus 6:10
6. Agnus Dei 3:41
Mass for soloists, chorus, organ & orchestra in B flat major ("Theresienmesse"), H. 22/12
7. Kyrie 5:19
8. Gloria in excelsis Deo 2:40
9. Gratias agimus tibi 5:54
10. Quoniam tu solus sanctus 2:55
11. Credo in unum Deum 1:59
12. Et incarnatus est 3:38
13. Et resurrexit 4:36
14. Sanctus 2:17
15. Benedictus 5:20
16. Agnus Dei 2:59
17. Dona nobis pacem 3:48

Performers:
Rundfunkschor Leipzig
Staatskapelle Dresden
Neville Marriner - conductor

There can be few more complete examples of a corpus of music fulfilling its practical function with the greatest sum of pleasure and art than the Haydn Masses. True, some Puritan souls for whom seriousness is incompatible with being seriously joyful have found them a problem. Yet even non-believers can accept their liturgical structures as vessels for exquisite music, like opera enjoyed for its beautiful tunes, divorced from plot and staging... [T]he Little Organ Mass, though problematical liturgically, receives a confident reading in EMI’s reissue of Marriner’s Haydn recordings... Whether in the urgent Kyries of the Nelson Mass, or the searching Crucifixus of the Theresienmesse, Marriner is never less than stately, a worthy exponent of the late Masses... -- Nicholas Williams