Chicago Symphony Orchestra, Georg Solti - Gustav Mahler: Symphony No. 5 (1991)
Artist: Chicago Symphony Orchestra, Georg Solti
Title: Gustav Mahler: Symphony No. 5
Year Of Release: 1991
Label: Decca
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:09:30
Total Size: 316 Mb
WebSite: Album Preview
Tracklist: Title: Gustav Mahler: Symphony No. 5
Year Of Release: 1991
Label: Decca
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:09:30
Total Size: 316 Mb
WebSite: Album Preview
Symphony No.5 in C sharp minor (Gustav Mahler)
1. 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) (Live) 12:37
2. 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito (Live) 14:46
3. 3. Scherzo (Kräftig, nicht zu schnell) (Live) 17:15
4. 4. Adagietto (Sehr langsam) (Live) 09:59
5. 5. Rondo-Finale (Allegro) (Live) 14:53
Performers:
Chicago Symphony Orchestra
Sir Georg Solti, conductor
I purchased this recording recently in part because of the favorable reviews listed here. I was not disappointed. Over the years I have been ambivalent about Solti: his interpretations of standard repertoire are often exciting, but rarely nuanced and frequently relentless. His studio account of the Mahler fifth from the '70's (also with the CSO) has always struck me as tight-fisted and unsympathetic to Mahlerian irony. This newer live performance, vividly recorded in Vienna, is undeniably thrilling. The CSO, challenged by Solti from the first note to the last, provide some stunningly virtuosic playing (and a couple of ragged moments as well). They are clearly energized by the occasion, and play as if their lives depended on it. Solti's interpretation has deepened considerably since the earlier recording; the Scherzo, particularly, is both more uplifting and more atmospheric (with Mahler's ingenious contrapuntal textures superbly clarified). The first and second movements are appropriately gripping without any hint of vulgarity. The adagietto is leisurely but not cloying (with some gorgeous playing from the CSO strings), and in the finale Solti and his band really go for broke, leaving the listener somewhat exhausted in the end--but better that than a tepid response.
In sum, then, here is a Solti performance for those who have their doubts about him (or about the ability of the sometimes spiky CSO to provide sensuous allure). Solti recordings seem to be going for a song these days (both new and used--check Amazon's listings), and collectors who find this recording congenial might want to look up his Haydn London Symphony cycle (another of the conductor's better ventures), his Beethoven symphony cycle (much better than its reputation), his Schubert "Great" C Major (another thrilling, but also intelligent, performance), and his Handel *Messiah* (believe it or not, Solti did Baroque music particularly well--not for him limp rhythms and anemic textures). Perhaps it's time for a reconsideration of this much-maligned figure.
In sum, then, here is a Solti performance for those who have their doubts about him (or about the ability of the sometimes spiky CSO to provide sensuous allure). Solti recordings seem to be going for a song these days (both new and used--check Amazon's listings), and collectors who find this recording congenial might want to look up his Haydn London Symphony cycle (another of the conductor's better ventures), his Beethoven symphony cycle (much better than its reputation), his Schubert "Great" C Major (another thrilling, but also intelligent, performance), and his Handel *Messiah* (believe it or not, Solti did Baroque music particularly well--not for him limp rhythms and anemic textures). Perhaps it's time for a reconsideration of this much-maligned figure.