Riccardo Muti - Bruckner: Symphony No.2, Richard Strauss: Der Burger als Edelmann Suite (2017) CD-Rip
Artist: Riccardo Muti
Title: Bruckner: Symphony No.2, Richard Strauss: Der Burger als Edelmann Suite
Year Of Release: 2017
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (image+.cue,log,booklet)
Total Time: 01:42:28
Total Size: 563 Mb
WebSite: Album Preview
Tracklist: Title: Bruckner: Symphony No.2, Richard Strauss: Der Burger als Edelmann Suite
Year Of Release: 2017
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (image+.cue,log,booklet)
Total Time: 01:42:28
Total Size: 563 Mb
WebSite: Album Preview
CD 1: Anton Bruckner - Symphony No. 2 in C minor WAB 102 (1:03'06")
1. Applause
2. I. Moderato
3. II. Andante. Feierlich, etwas bewegt
4. III. Scherzo. Massig schnell - Trio. Gleiches Tempo
5. IV. Finale. Mehr schnell
CD 2: Richard Strauss - Der Burger als Edelmann Suite Op. 60 (39'27")
01. Applause
02. I. Ouverture
03. II. Menuett
04. II. Der Fechtmeister
05. IV. Auftritt und Tanz der Schneider
06. V. Das Menuett des Lully
07. VI. Courante
08. VII. Auftritt des Cleonte
09. VIII. Vorspiel zum 2. Aufzug (Intermezzo)
10. IX. Das Diner
Performers:
Wiener Philharmoniker
Riccardo Muti, conductor
Not widely known as a Bruckner conductor, Riccardo Muti may be signaling a renewed interest in the composer with the recordings released in 2017: a solid CSO Resound issue of the Symphony No. 9 in D minor and this Deutsche Grammophon double CD, which pairs Bruckner's Symphony No. 2 in C minor with Richard Strauss' Der Bürger als Edelmann Suite. Taken from live performances, which were recorded in 2016 at the Salzburg Festival, these works were chosen by Muti to celebrate his 75th birthday, as well as to commemorate the historic connections between the two composers and the Vienna Philharmonic. Yet the program presents obvious stylistic contrasts, chiefly because Bruckner's symphony is an earnest essay cast in his characteristically expansive symphonic form, while Strauss' incidental music for Hugo van Hofmannsthal's German version of the Molière play Le Bourgeois gentilhomme is elegant, concise, and sweetly tuneful. Yet these works reflect different aspects of late Romantic music in Vienna, with Bruckner representing the grand symphonic tradition long associated with the Classical masters, and Strauss providing a counterbalance with the light, sentimental music that flourished in the years before World War I. While this is an unusual match-up, the performances are exceptional for their vitality and clarity, and Muti's interpretations show a deeply sympathetic feeling for Vienna in its glory days.