Buzzsaw – From Lemon Drops To Acid Rock (Reissue) (1971/2015)
Artist: Buzzsaw
Title: From Lemon Drops To Acid Rock
Year Of Release: 1971/2015
Label: Out-Sider
Genre: Acid Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 01:19:07
Total Size: 200/502 Mb (scans)
WebSite: Album Preview
Title: From Lemon Drops To Acid Rock
Year Of Release: 1971/2015
Label: Out-Sider
Genre: Acid Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 01:19:07
Total Size: 200/502 Mb (scans)
WebSite: Album Preview
Tracklist:
1. Saturn Is Just A Few Days Away (Roger Weiss) - 3:12
2. Death Calls (Dick Sidman, Eddie Weiss) - 2:59
3. Linda In Rhinestones - 3:25
4. U.S. Chick - 3:40
5. Roll Your Green Grass On - 3:45
6. Walkin' Thru A Rainbow - 2:57
7. I Really Like To Blow Your Mind - 4:59
8. In The Country - 5:09
9. The Sun Just Come Up On The Other Side - 4:18
10. Gotta Be Rock 'n' Roll - 3:42
11. Saturn Jam (Roger Weiss) - 4:47
12. Don't Listen To Sam - 3:04
13. Nowhere To Go (Eddie Weiss, Gary Weiss) - 4:24
14. Gotta Be Rock 'n ' Roll - 3:56
15. Saturn Is Just A Few Days Away (Roger Weiss) - 4:25
16. The Sun Just Come Up On The Other Side - 4:19
17. Fire It Up - 2:03
18. U.S. Chick - 4:09
19. Nowhere To Go (Eddie Weiss, Gary Weiss) - 3:16
20. Won't You Miss Her When She's Gone - 2:05
21. I'll Be Wanting You - 2:46
22. Such A Nice Morning (Roger Weiss, Eddie Weiss) - 1:47
Line-up:
Eddie Weiss - Guitar, Vocals
Rick Fertel - Bass, Vocals
Gary Weiss - Drums, Vocals
The Lemon Drops were one of those 60’s pop bands that disappeared from the musical map, with nearly everyone thinking that like so many, they’d gone up in flames … when nothing could have been further from the truth. With a bit of help from the lysergic, a new vision, and a revamping of the band, the core of The Lemon Drops relocated to the west coast and re-surfaced as The Buzzsaw; a power trio featuring ex-Lemon Drops Eddie Weiss [guitar], Gray Weiss [drums], along with Rick Fertel [bass].
The lush atmospheric pop effects of The Lemon Drop were also reformatted, pushing peddle effects to the max, filled with distortion and fuzz to create a sonically more heavy sound, often coming across as Love, and at other times with flashes of The Velvet Underground [especially the Velvet’s song “What Goes On”], though with that being said, their sound was delightfully in and of its time, and not really as heavy as the word heavy may suggest. Hitting the recording studio in 1971, backed by CCR’s manager Max Weiss, the band released but a single 45 rpm that went up in smoke, with nearly no one ever hearing it, as it both flashed back to a Lemon Drops ear song on side A, and with side B containing a track that didn’t really suggest where the band was at at this stage of their career. It wasn’t until 1995 that all of the recordings done at both Ampex Studios in San Francisco, and those laid down at Pacific Sound Studios, were finally gathered together, unleashing a sort of proto grunge psychedelic sound, filled with melodic vocals over which a sustained wah-wah laced the tracks together, though merely whispering as to where this band might have found themselves, had they had the proper management and production team backing them.
Once you sit down with this grouping of songs, you’ll be surprised at how fresh and up to date they sound, featuring a lo-fi atmosphere that with a bit of reworking, could easily be delivered today without a second thought, and almost no one knowing the true genesis and magic of these tracks. - by Jenell Kesler
The lush atmospheric pop effects of The Lemon Drop were also reformatted, pushing peddle effects to the max, filled with distortion and fuzz to create a sonically more heavy sound, often coming across as Love, and at other times with flashes of The Velvet Underground [especially the Velvet’s song “What Goes On”], though with that being said, their sound was delightfully in and of its time, and not really as heavy as the word heavy may suggest. Hitting the recording studio in 1971, backed by CCR’s manager Max Weiss, the band released but a single 45 rpm that went up in smoke, with nearly no one ever hearing it, as it both flashed back to a Lemon Drops ear song on side A, and with side B containing a track that didn’t really suggest where the band was at at this stage of their career. It wasn’t until 1995 that all of the recordings done at both Ampex Studios in San Francisco, and those laid down at Pacific Sound Studios, were finally gathered together, unleashing a sort of proto grunge psychedelic sound, filled with melodic vocals over which a sustained wah-wah laced the tracks together, though merely whispering as to where this band might have found themselves, had they had the proper management and production team backing them.
Once you sit down with this grouping of songs, you’ll be surprised at how fresh and up to date they sound, featuring a lo-fi atmosphere that with a bit of reworking, could easily be delivered today without a second thought, and almost no one knowing the true genesis and magic of these tracks. - by Jenell Kesler
