Lambchop - Damaged (Limited 2-CD Edition) (2006)
Artist: Lambchop
Title: Damaged
Year Of Release: 2006
Label: City Slang
Genre: Country Rock, Indie, Alt Country
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:10:10
Total Size: 255/472 Mb (scans)
WebSite: Album Preview
Title: Damaged
Year Of Release: 2006
Label: City Slang
Genre: Country Rock, Indie, Alt Country
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:10:10
Total Size: 255/472 Mb (scans)
WebSite: Album Preview
Tracklist:
CD 1
01. Paperback Bible 7:48
02. Prepared (2) 6:30
03. The Rise and Fall of the Letter P 3:36
04. A Day Without Glasses 4:11
05. Beers Before the Barbican 4:51
06. I Would Have Waited Here All Day 4:20
07. Crackers 4:11
08. Fear 5:00
09. Short 3:48
10. The Decline of Country and Western Civilization 4:36
CD 2
01. Pre 5:35
02. Fear (re) 4:30
03. Decline 4:44
04. Paperback Bible (with drums) 6:04
After the ambitious sweep of releasing two full albums on a single day in 2004 and creating a collaborative electronic EP with Hands Off Cuba while assembling a collection of singles and rarities in 2005, one can hardly blame Kurt Wagner and his partners in Lambchop for wanting to take on a less challenging project for the group's ninth album proper. And indeed, Damaged is a simpler and more streamlined effort than Lambchop have offered over their last several releases. Damaged is a set of ten elegant tone poems which rarely call full attention to the size and scope of the 15-person ensemble (enhanced with a string section) employed for these sessions. But don't get the idea Wagner and his cohorts have gotten lazy; Damaged is as moving and accomplished an album as this band has ever made, with the subtle but expert musicianship used in the service of a handful of songs which look deep into the heart of longing, disappointment, and the troubling mysteries of faith. If you're hoping for an easy-to-follow narrative from Wagner's songs, you'll be disappointed, but through a collection of accumulated, gestured, offhand asides and occasional confessions of weakness, he creates a world that's telling, poignant, and as real as the dust in the air on a Sunday morning. And the mighty Lambchop ensemble approaches the melodies with the care and dynamics of a great orchestra, where each note is carefully balanced as if it was assembling a house of cards that can miraculously balance a grand piano. While Lambchop's country gestures recede a bit on Damaged, as a master class in the art and craft of record-making in the great Nashville tradition, this album is a true wonder, a quiet and deliberate recording that cumulatively hits with a massive emotional impact. This ranks with the best work of one of America's most original musical visionaries.