Lang Lang - Beethoven: Piano Concertos Nos. 1 & 4 (2007)
Artist: Lang Lang
Title: Beethoven: Piano Concertos Nos. 1 & 4
Year Of Release: 2007
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:14:11
Total Size: 307 mb
WebSite: Album Preview
Tracklist: Title: Beethoven: Piano Concertos Nos. 1 & 4
Year Of Release: 2007
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:14:11
Total Size: 307 mb
WebSite: Album Preview
Concerto for Piano and Orchestra no. 1 in C major, op. 15 (38:56)
1. 1. Allegro Con Brio 18:18
2. 2. Largo 11:26
3. 3. Rondo. Allegro. 9:14
Concerto for Piano and Orchestra no. 4 in G major, op. 58 (35:19)
4. 1. Allegro Moderato 19:12
5. 2. Andante Con Moto 5:45
6. 3. Rondo. Vivace 10:20
Performers:
Piano – Lang Lang
Orchestre De Paris
Conductor – Christoph Eschenbach
Lang Lang delivers his first-ever Beethoven recording, a stunning reading of the extensive Concerto no. 4 and the jubilant Concerto no. 1. Even though he has performed this repertoire extensively in concert, Lang Lang waited for the perfect moment and the perfect team to record his first pair of concertos from these milestones of piano repertoire When Lang Lang embarked on his international career, Christoph Eschenbach became one of his first and most enthusiastic proponents - and a mentor and close friend ever since, Eschenbach was the ideal collaborator for Lang Lang's first Beethoven recording. Nimbly supported by Eschenbach's superb Orchestre de Paris, with its tradition of having been the first orchestra ever in France to perform music by Beethoven, Lang Lang's performance gives further proof as to why he is one of today's most acclaimed pianists
What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other mattermature Beethoven and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. -- Robert Levine
What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other mattermature Beethoven and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. -- Robert Levine