Osmo Vänskä, Minnesota Orchestra - Beethoven: Symphonies Nos. 4 & 5 (2004) Hi-Res

Artist: Osmo Vänskä, Minnesota Orchestra
Title: Beethoven: Symphonies Nos. 4 & 5
Year Of Release: 2004
Label: BIS
Genre: Classical
Quality: FLAC 24bit-88.2kHz / FLAC (tracks)
Total Time: 01:06:59
Total Size: 1.1 Gb / 246 Mb
WebSite: Album Preview
Tracklist: Title: Beethoven: Symphonies Nos. 4 & 5
Year Of Release: 2004
Label: BIS
Genre: Classical
Quality: FLAC 24bit-88.2kHz / FLAC (tracks)
Total Time: 01:06:59
Total Size: 1.1 Gb / 246 Mb
WebSite: Album Preview
Symphony No. 4 In B-flat Major, Op. 60 (Ludwig van Beethoven)
1. I. Adagio - Allegro vivace 11:26
2. II. Adagio 09:35
3. III. Menuetto. Allegro vivace - Trio. Un poco meno allegro 05:59
4. IV. Allegro ma non troppo 06:56
Symphony No. 5 in C minor, Op. 67 (Ludwig van Beethoven)
5. I. Allegro con brio 07:38
6. II. Andante con moto 09:36
7. III. Allegro\ 04:45
8. IV. Allegro 11:04
Performers:
Minnesota Orchestra
Osmo Vänskä, conductor
Osmo Vänskä is the Finnish conductor who first made his mark internationally in the last decade of the last millennium with his recordings of Finnish composer Sibelius. With the Finnish Lahti Symphony, Vänskä's Sibelius was a Finn's Sibelius: clear, lucid, light, luminous, muscular, and driven. Now with the new millennium, Vänskä has gone international with this recording of Beethoven's Fourth and Fifth symphonies, his first recording with the Minnesota Orchestra, and the start of a projected cycle of Beethoven's complete symphonies.
Vänskä's Beethoven is a Finn's Beethoven. His Beethoven's Fourth is as light and luminous as his Sibelius' Sixth and his Beethoven's Fifth is as clear and lucid as his Sibelius' Fifth. But Vänskä is also Vänskä and his Beethoven is also muscular and driven. The strength of his sforzandos and force of his fortissimos is enormous and the drive of his Allegros and especially his Allegro con brios is immense.
Vänskä's Beethoven is not a lyrical or a meditative Beethoven. The tone of the Adagio of his Fourth could be a little less spiccato and the tone of the Andante con moto of his Fifth could be a bit more cantabile. Part of the reason for the tone, of course, is the Minnesota Orchestra. An ensemble with a long history of great conductors on its way up, the Minnesota is a virtuoso orchestra but one characterized by a gutty string tone, a rough wind tone, and a raw brass tone. But their tone and their virtuosity suit Beethoven to the floor and the result of the combination of Vänskä and the Minnesota is an ideal balance of overwhelming power and relentless motion. BIS' super audio CD sound is as real as its earlier digital recordings, but with greater depth and warmth.
Vänskä's Beethoven is a Finn's Beethoven. His Beethoven's Fourth is as light and luminous as his Sibelius' Sixth and his Beethoven's Fifth is as clear and lucid as his Sibelius' Fifth. But Vänskä is also Vänskä and his Beethoven is also muscular and driven. The strength of his sforzandos and force of his fortissimos is enormous and the drive of his Allegros and especially his Allegro con brios is immense.
Vänskä's Beethoven is not a lyrical or a meditative Beethoven. The tone of the Adagio of his Fourth could be a little less spiccato and the tone of the Andante con moto of his Fifth could be a bit more cantabile. Part of the reason for the tone, of course, is the Minnesota Orchestra. An ensemble with a long history of great conductors on its way up, the Minnesota is a virtuoso orchestra but one characterized by a gutty string tone, a rough wind tone, and a raw brass tone. But their tone and their virtuosity suit Beethoven to the floor and the result of the combination of Vänskä and the Minnesota is an ideal balance of overwhelming power and relentless motion. BIS' super audio CD sound is as real as its earlier digital recordings, but with greater depth and warmth.