Royal Philharmonic Orchestra, Jac van Steen, Valerie Tryon - Debussy, Fauré & Ravel: Works for Piano & Orchestra (2016) [Hi-Res]

Tracklist

01. Fantaisie for Piano & Orchestra, L. 73: I. Andante ma non troppo
02. Fantaisie for Piano & Orchestra, L. 73: II. Lento e molto espressivo
03. Fantaisie for Piano & Orchestra, L. 73: III. Allegro molto
04. Ballade in F-Sharp Major, Op. 19 (Version for Piano & Orchestra)
05. Piano Concerto in G Major, M. 83: I. Allegramente
06. Piano Concerto in G Major, M. 83: II. Adagio assai
07. Piano Concerto in G Major, M. 83: III. Presto


With this new release, SOMM continues its series with the Royal Philharmonic Orchestra and the remarkable pianist Valerie Tryon. Their close and enjoyable collaboration has already enriched the SOMM catalogue with two previous recordings of works by Cesar Franck, Granados and Turina (SOMM250) and Rachmaninov, Richard Strauss and Dohnanyi (SOMM253). This new release brings together three French works for piano and orchestra. Debussy was in his late twenties when he began work on his Fantaisie for piano and orchestra in October 1889. Although he made revisions to the score, Debussy forbade performance or publication of the work. The first performance was given a year and a half after his death in November 1919 and it has been rarely performed ever since. Fauré worked on his Ballade for solo piano Op. 19 in the late 1870s and was thirty-two when it was published with a dedication to Saint-Saens in 1877. A few years later he played it for Franz Liszt who may have suggested adding orchestral accompaniment which Fauré decided to do in 1881. These two works, which quite inexplicably are rarely heard, considering the quality of the music, are coupled with the popular Piano Concerto in G major by Ravel. Ravel undertook a successful four month tour of North America in 1928 appearing as soloist and conductor where he was greatly influenced by the music he heard there, particularly Negro spirituals and that newest form, jazz. He stated himself that it took two years of hard work to complete the composition eventually choosing Marguerite Long as soloist for the premiere which he conducted in January 1932.

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