Buddy Collette - The Remasters (All Tracks Remastered) (2021)
Artist: Buddy Collette
Title: The Remasters (All Tracks Remastered)
Year Of Release: 2021
Label: Millennium Digital Remaster
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 1:38:11
Total Size: 568 / 226 MB
WebSite: Album Preview
Tracklist:Title: The Remasters (All Tracks Remastered)
Year Of Release: 2021
Label: Millennium Digital Remaster
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 1:38:11
Total Size: 568 / 226 MB
WebSite: Album Preview
01. Orfeo Negro (Remastered 2019)
02. Night In Tunisia (Remastered 2019)
03. The Continental (Remastered 2019)
04. Perfidia (Remastered 2019)
05. I Love Paris (Remastered 2016)
06. If She Had Stayed (Remastered 2019)
07. Blues (Remastered 2019)
08. Pickford Street (Remastered 2019)
09. Paddy (Remastered 2019)
10. Mounya Labeli Matatoo (Remastered 2019)
11. Morning Jazz (Remastered 2019)
12. Nice Day (Remastered 2018)
13. Coming Back For More (Remastered 2019)
14. Minor Deviation (Remastered 2018)
15. Under Paris Skies (Remastered 2016)
16. Wagnervous (Remastered 2019)
17. Change It (Remastered 2018)
18. Pigalle (Remastered 2016)
19. Jungle Pogo Stick (Remastered 2019)
20. I'll Remember April (Remastered 2018)
21. Domino (Remastered 2016)
22. The Blindfold Test (Remastered 2019)
23. Buddy Boo (Remastered 2018)
24. La Vie En Rose (Remastered 2016)
25. Green Dream (Remastered 2019)
An important force in the Los Angeles jazz community, Buddy Collette was an early pioneer at playing jazz on the flute. Collette started on piano as a child and then gradually learned all of the woodwinds. He played with Les Hite in 1942; led a dance band while in the Navy during World War II; and then freelanced in the L.A. area with such bands as the Stars of Swing (1946), Edgar Hayes, Louis Jordan, Benny Carter, and Gerald Wilson (1949-1950). An early teacher of Charles Mingus, Collette became the first black musician to get a permanent spot in a West Coast studio band (1951-1955). He gained his greatest recognition as an important member of the Chico Hamilton Quintet (1955-1956), and he recorded several albums as a leader in the mid- to late '50s for Contemporary. Otherwise, he mostly stuck to the L.A. area, freelancing, working in the studios, playing in clubs, teaching, and inspiring younger musicians. Although a fine tenor player and a good clarinetist, Collette's most distinctive voice is on flute; he recorded an album with one of his former students, the great James Newton (1989). In addition, Collette participated in a reunion of the Chico Hamilton Quintet, and recorded a two-disc "talking record" for the Issues label in 1994, in which he discussed some of what he had seen and experienced through the years. ~ Scott Yanow