Lu Watters - Days That Got Away (2018)
Artist: Lu Watters
Title: Days That Got Away
Year Of Release: 2018
Label: nagel heyer records
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 1:49:22
Total Size: 587 / 252 MB
WebSite: Album Preview
Tracklist:Title: Days That Got Away
Year Of Release: 2018
Label: nagel heyer records
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 1:49:22
Total Size: 587 / 252 MB
WebSite: Album Preview
01. Beale Street Blues
02. Willie the Weeper
03. St. James Infirmary
04. San Francisco Bay Blues
05. San Andreas Fault
06. Bill Bailey, Won't You Please Come Home
07. Pork and Beans
08. Blues over Bodega
09. The Blues My Naughty Sweetie Gives to Me
10. Doctor Jazz
11. Alcoholic Blues
12. Some of These Days
13. Irish Black Bottom
14. Frankie and Johnny
15. Sweet Georgia Brown
16. My Little Bimbo
17. Royal Garden Blues
18. C.C. Rider
19. Emperor Norton's Hunch
20. St. Louis Blues
21. Roll, Jordan, Roll
22. The Villain
23. Aunt Hagar's Blues
24. When the Saints Go Marching In
25. Maple Leaf Rag
26. Peoria
27. Weary Blues
28. Waiting for the Robert E. Lee
29. Ace in the Hole
30. Shake That Thing
31. Antigua Blues
32. Broken Promises
He was a young jazz trumpeter in love with a style of music that reached its creative peak while he was still in diapers. Wynton Marsalis? No...Lu Watters, one of the leading New Orleans revivalists of the 1940s. Watters was a die-hard fan of King Oliver's Original Creole Jazz Band (which included a young Louis Armstrong); his Yerba Buena Jazz Band featured the two-trumpet lineup made famous by Oliver. Watters and the other white revivalists believed in the primacy of early jazz -- specifically, the music made in New Orleans by black musicians during the '10s and '20s -- eschewing subsequent stylistic developments like swing and bop. The Yerba Buena Jazz Band was founded in 1939 and Watters drew its members from a large swing group he led in Oakland, CA. His intent was to resuscitate the Oliver style, which he did with a great deal of success. Although Dixieland revivalists were a dime a dozen in the '40s, the Yerba Buena Jazz Band stood apart by virtue of its authenticity and helped spread the revival worldwide. The band began playing the Dawn Club in San Francisco in 1939 and the gig continued until Watters was drafted in 1942. The band regrouped after the war and returned to the Dawn Club, where they attained great popularity. In 1947, they moved to Hambone Kelly's in El Cerrito, where they remained until Watters broke up the band in 1950. On its most influential recordings, made in the mid-'40s, the group included Watters on first trumpet, Bob Scobey on second trumpet, Harry Mordecai on banjo, Bob Helm on clarinet, Turk Murphy on trombone, Bill Dart on drums, Wally Rose on piano, and Dick Lammi on tuba. Scobey and Murphy went on to lead their own popular Dixieland outfits. Besides playing tunes from the trad repertoire, Watters also supplied new arrangements and compositions. Watters retired from playing music full-time in 1957; he studied geology and later became a chef. He began playing again in 1963, performing with Turk Murphy's band at anti-nuclear rallies in Northern California. He made one last record before retiring. ~ Chris Kelsey