Elinor Frey - Antonio Vandini: Complete Works (2021) [Hi-Res]

Artist: Elinor Frey
Title: Antonio Vandini: Complete Works
Year Of Release: 2021
Label: Passacaille
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 51:09
Total Size: 271 / 922 MB
WebSite: Album Preview
Tracklist:Title: Antonio Vandini: Complete Works
Year Of Release: 2021
Label: Passacaille
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 51:09
Total Size: 271 / 922 MB
WebSite: Album Preview
1. Sonata in A Minor, Van. 4: I. Largo (4:07)
2. Sonata in A Minor, Van. 4: II. Allegro (2:29)
3. Sonata in A Minor, Van. 4: III. Allegro assai (0:43)
4. Sonata in C Major, Van. 2: I. Andante (2:34)
5. Sonata in C Major, Van. 2: II. Allegro (2:10)
6. Sonata in C Major, Van. 2: III. Allegro (1:40)
7. Sonata in B-Flat Major, Van. 6: I. Grave (4:12)
8. Sonata in B-Flat Major, Van. 6: II. Allegro (3:47)
9. Sonata in B-Flat Major, Van. 6: III. Allegro (1:24)
10. Concerto in D Major, Van. 5: I. Allegro (3:13)
11. Concerto in D Major, Van. 5: II. Andantino (2:58)
12. Concerto in D Major, Van. 5: III. Allegro (3:17)
13. Sonata in C Major, Van. 1: I. (Adagio) (1:43)
14. Sonata in C Major, Van. 1: II. Allegro (2:17)
15. Sonata in C Major, Van. 1: III. (Minuetto) (1:43)
16. Sonata in B-Flat Major, Van. 3: I. Largo (2:53)
17. Sonata in B-Flat Major, Van. 3: II. Allegro (3:04)
18. Sonata in B-Flat Major, Van. 3: III. Minuet (1:51)
19. Sonata in E Major, Van. 7: I. Grave (1:40)
20. Sonata in E Major, Van. 7: II. Allegro (1:29)
21. Sonata in E Major, Van. 7: III. Allegro (2:01)
In this recording, cellist Elinor Frey and Passacaille Records present the six sonatas and one concerto of one of the most noteworthy and fascinating Italian cellist-composers of the 18th century. Antonio Vandini’s works span from 1717 in Venice (just a few years before he taught at the La Pietà school alongside the legendary Vivaldi) to about the 1750s when his last sonatas were written (probably as he toured the world with his musical partner, the famous violinist, Giuseppe Tartini).
Captivated by Vandini’s ability to draw out some of the finest qualities of the cello by expertly blending both lyricism and virtuosity, Elinor Frey, cellist-musicologist Marc Vanscheeuwijck, and gambist Patxi Montero together explored Vandini’s particular playing techniques. As shown in drawings, portraits, and eye-witness accounts, Vandini was one of the last remaining cellists to continue to use an underhand bow technique. Harpsichordist Federica Bianchi joined the team for the recording, held at the at the Sala della Carità, a short walk from the St-Antonio Basilica in Padua where Vandini spent most of his musical life.
Captivated by Vandini’s ability to draw out some of the finest qualities of the cello by expertly blending both lyricism and virtuosity, Elinor Frey, cellist-musicologist Marc Vanscheeuwijck, and gambist Patxi Montero together explored Vandini’s particular playing techniques. As shown in drawings, portraits, and eye-witness accounts, Vandini was one of the last remaining cellists to continue to use an underhand bow technique. Harpsichordist Federica Bianchi joined the team for the recording, held at the at the Sala della Carità, a short walk from the St-Antonio Basilica in Padua where Vandini spent most of his musical life.