Artist: Randy Weston Trio Title: Get Happy Year Of Release: 1956 Label: Riverside, OJC[OJCCD-1870-2] Genre: Jazz, Hard Bop Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps Total Time: 37:20 Total Size: 205 MB(+3%) | 88 MB(+3%) WebSite: Album Preview
Tracklist
1.Get Happy 2.Fire Down There 3.Where Are You 4.Under Blunder 5.Dark Eyes 6.Summertime 7.Bass Knows 8.C Jam Blues 9.A Ballad 10.Twelfth Street Rag
personnel :
Randy Weston - piano Sam Gill - bass Wilbert Hogan - drums
This early release from Randy Weston finds the pianist still in his formative stages. His supple technique is evident, along with key influences: Thelonious Monk, Bud Powell, and Art Tatum -- their lessons not quite yet melded into an approach of Weston's own. As well, this 1955 date is from the period before Weston's time spent in Nigeria and Northern Africa, where he absorbed musical experiences that would help form the more distinctive approach that emerged in his playing in the 1960s. The set shows Weston's facility with standards, Ellingtonia, even ragtime, but, with several tracks coming in well under four minutes, the performances offer little room for development. The impression here is that of a pianist of great potential limbering up before the curtain rises for the show. The subdued rhythm support of bassist Sam Gill and drummer Wilbert Hogan adds to this effect. The level of interaction between the leader and his rhythm team is not great. The only real exception is the nice dialogue between the pianist and the bassist on the standard "Dark Eyes." Also absent are the writing skills for which Weston would later become known with trademark works such as "Hi-Fly" and "Little Niles." Weston's two originals on Get Happy are unremarkable, riff-based tunes that only reinforce the sense of this session's serving as a promising warm-up for better things to come.~Jim Todd
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 17. November 2011, 18:00
Randy Weston Trio / Get Happy
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Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track
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